THE FIRST AND SECOND PRACTICES OF MONTEVERDI: THEIR RELATION TO CONTEMPORARY THEORY. 

The Notre Dame Mass of Guillaume de Machaut: Musical style, analysis, and performance considerations 

Music, image, gesture: The graphical score and the visual representation of music in cinema and digital media 

Sacred choral music in colonial Mexico, 1650--1750: An introduction 

The controversy concerning Handel's music for the Carmelites (1707) 

Grounds and counterpoint in three early modern airs 

An analysis of the information transfer process among music school faculty with implications for library systems and services design 

Nesvadba-M.A. thesis-THE AUTHENTICITY OF SONG 

A critical study and performance edition of Emilio de' Cavalieri's Rappresentatione di anima e di corpo 

Medieval vocal music in the junior high school 

A study of indigenous Korean hymns, with special reference to Un-Yung La's Easter Cantata 

Aristotelian aesthetics and the birth of the Baroque 

Crossfade: a documentary on DJs of color in Los Angeles 

Historical background and analysis of Carl Heinrich Graun's "Der Tod Jesu" 

The chitarra spagnola and Italian monody, 1589 to circa 1650 

Sound-on-film: John Cage and avant-garde cinema 

Hugo Distler and the renewal movement in Nazi Germany 

Identifying late fifteenth-century music for instrumental ensemble: Franco-Netherlandish secular music in Italian sources (c.1470-1500) 

Images and representations of California in popular music, 1955--1995 

The genesis of Peter Wagner's theories of Gregorian chant rhythm: A preliminary study 

The music education curricula in the state colleges of California 

The violin concertos of Franz Benda and their use in violin pedagogy. (parts i and ii) 

Restaging the siren: Musical women in the performance of sixteenth -century Italian theater 

The Concerto For Organ And Orchestra 

The violin concertos of Franz Benda and their use in violin pedagogy