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Scriabin in Russian musicology and its background in Russian intellectual history
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Strophic discourse and Stefano Landi's "La morte d'Orfeo": Syntax in music and poetry during the cinquecento and seicento
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The early history of Kurt Weill's "Die Buergschaft", 1930--1933
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Alchemy of the avant-garde: David Tudor and the new music of the 1950s
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The making of an American film composer: a study of Alfred Newman's music in the first decade of the sound era
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'It was lovely music that came to my aid': Music's contribution to the narrative of the novel, film, and play, "A Clockwork Orange"
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Christian Friedrich Daniel Schubart's Ideen zu einer Ästhetik der Tonkunst: an annotated translation
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The collaboration of choir and congregation in the performance of the music of Michael Praetorius
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Censorship and magical opera in early nineteenth-century Vienna
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Jewish musical identity in exile: Arnold Schoenberg's works and fragments on Jewish themes, 1937-1951
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The German reception of Christoph Willibald Ritter von Gluck in the early nineteenth century
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Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method
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Beneventan Notation In The Vatican Manuscripts
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Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London
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Rachmaninoff in music lexicons, 1900–2013: toward a history of the composer's reception
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Dynamic canons: how the Pulitzer prize, documentary film, and the US Department of State are changing the way we think about jazz
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Beethoven and the psyches of the keys
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The German church music of Christian Andreas Schulze (1660-1699)
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A historical analysis and performing edition of Baladassare Galuppi's C-minor Miserere for double treble chorus and orchestra
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The contribution of Frank Saddler to the art of orchestration for the American musical theatre
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Music business and image promotion among virtuosos in Paris, 1830–1848
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Keyboard thinking: intersections of notation, composition, improvisation, and intabulation in sixteenth-century Italy
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Sonic displacement, sonic placemaking: the poetics of diaspora in Yoko Tawada, Jessica Hagedorn, and M.I.A.
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The string quartets of Johann Georg Albrechtsberger: An historical and formal study
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An historical study of the origin and character of indigenous hymn tunes of the Latter-day Saints
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