Co-producing the Asia Pacific: travels in technology, space, time and gender 

Teaching interactive production 

Yellow Hollywood: Asian martial arts in U.S. global cinema 

Certain tendencies in Canadian cinema: temporary insanity and the national tax-shelter masquerade 

Molti -story cinema: The episode film in the Italian cinema 

A new American cinema 

A national score: Popular music and Taiwanese cinema 

Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II 

Neglected imagination: Achilles' heel of Korean cinema production 

Cinema 4.5? Legacies of third cinema at the age of informational capitalism 

The cinema of economic miracles 

The new Korean cinema: Framing the shifting boundaries of history, class, and gender 

The traces of Jacques Derrida's cinema 

Televising Toronto from Hogtown to megacity 

¡Que naco! Border cinema and Mexican migrant audiences 

Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule 

Producing lesbianism: television, niche marketing, and sexuality in the 21st century 

A description and examination of the production of The exiles: a film of the actual lives of a group of young American Indians 

Genre and ideology in the popular German cinema, 1950-1972 

Cinema bulimia: Peter Greenaway's corpus of excess 

Animated subjects: globalization, media, and East Asian cultural imaginaries 

Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine 

Cedric Gibbons: Pioneer in art direction for cinema 

Lesbianscape of Taiwan: media history of Taiwan's lesbians 

Television and the independent film idea from the network era into the digital age