Midnight sun 

Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands 

Leaky bodies: Epidemic disease in contemporary American television 

Screens on the move: media convergence and mobile culture in Korea 

Lead man holler: Harry Belafonte and the culture industry 

Cinema verite. A descriptive study 

The Lucas Effect: George Lucas and the New Hollywood 

Film credit 

Sound design and science fiction 

The role of the motion picture production unit in the university 

Moving Target. (Original Writing) 

More lives to live?: archiving and repurposing the daytime soap opera 

Choreography for cinema-dance 

Declarations of independence: film and the American mythology 

Peace, love and soul: 70s television and black public space 

Transnational modernity, national identity, and South Korean melodrama (1945-1960s) 

Camelot, Hooterville, or Watts? American network television and the struggle for national identity, 1946-1974 

Indigo season 

Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age 

Japan in transnational Hollywood: industry and identity, 1985-1995 

The expendables 

Girls, girls, girls: Gender and generation in contemporary discourses of female adolescence and youth culture 

Senior year 

A history and analysis of the decline of the roadshow mode of motion picture exhibition, 1965-1975 

The city seen: Cinematic representation of urban space