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Digital Library
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California Historical Society Collection, 1860-1960
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Title Insurance and Trust and C.C. Pierce Photography Collection 1860-1960
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The painting "End of Day" by Adan, depicting a worker making his way down a country path with his tools, [s.d.]
(USC DC Image)
The painting "End of Day" by Adan, depicting a worker making his way down a country path with his tools, [s.d.]
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Description
Photograph of the painting "End of Day" by Adan, depicting a worker making his way down a country path with his tools, [s.d.]. A man in a work vest is shown moving away from the viewer down a path with a scythe and a rake slung over his shoulder. To the right, a small pond is visible just beyond a large tree. Gentle hills can be seen to the left, while the beginnings of a town can be seen at the end of the road in the distance at center, along with what appears to be a bridge.
Asset Metadata
Title
The painting "End of Day" by Adan, depicting a worker making his way down a country path with his tools, [s.d.]
Subject
Art
(lcsh),
Art -- Genre
(file heading),
roadways
(adlf)
Tags
OAI-PMH Harvest
Type
images
Format
1 photograph : photoprint, b&w ; 21 x 26 cm.
(aacr2),
art
(aat),
photographic prints
(aat),
photographs
(aat)
Source
California Historical Society
(contributing entity),
California Historical Society Collection, 1860-1960
(collection),
Title Insurance and Trust, and C.C. Pierce Photography Collection, 1860-1960
(subcollection)
Creator
Adan, Louis-Emile
(artist),
Pierce, C.C. (Charles C.), 1861-1946
(photographer)
Publisher
University of Southern California. Libraries
(digital)
Repository Email
specol@lib.usc.edu
Repository Name
USC Libraries Special Collections
Repository Location
Doheny Memorial Library, Los Angeles, CA 90089-0189
Rights
Public Domain. Please credit both “University of Southern California. Libraries” and “California Historical Society” as the source. Digitally reproduced by the USC Digital Library.
Copyright
Public Domain. Please credit both “University of Southern California. Libraries” and “California Historical Society” as the source. Digitally reproduced by the USC Digital Library.
Access Conditions
Send requests to address or e-mail given
Permanent Link (DOI)
https://doi.org/10.25549/chs-m18456
Identifier
8836 (
accession number
), CHS-8836 (
call number
), CHS-8836 (
filename
), chs-m265 (
legacy collection record id
), chs-c65-15847 (
legacy record id
), chs-m18456 (
legacy record id
), USC-1-1-1-14104 (
legacy record id
), H-747 (
unidentified no.
)
IIIF ID
[Document.IIIFV3ID]
DM Record ID
15847
Unique identifier
UC114191
Legacy Identifier
CHS-8836.tiff
Type
Image
Internet Media Type
image/tiff
Resolution
20.6 in × 13.4 in at 300dpi
52.3 cm × 34.2 cm at 300dpi
Inherited Values
Title
Title Insurance and Trust and C.C. Pierce Photography Collection 1860-1960
Description
The nearly 15,000 unique photographs of this collection contain the work of C.C. Pierce which cover the Los Angeles region city, street and architectural views, California Missions, Southwestern Native Americans, and turn-of-century Nevada, Arizona, and California. Pierce, active from 1886 to 1940, was one of the leading photographers of his day and amassed a collection of 15,000 images, including his own and those bought and copied from his contemporaries, George Wharton James and Charles Puck. The James collection contains over 2,000 images of portraits, customs, ceremonies, arts, and games of various groups of Southwestern Native Americans.
Date Created
1860/1960
Linked assets
Title Insurance and Trust and C.C. Pierce Photography Collection 1860-1960
Conceptually similar
The painting "The Orphans" by Adan, depicting two young children being dropped-off at an orphanage, [s.d.]
The painting "The Avenue" by Mundert Hobberna, depicting a country road, [s.d.]
The painting "Reverie" by Frank Dicksee depicting a man in his study envisioning a ghost, [s.d.]
The painting "His Only Pair" by Sauza Pinto, depicting a grandmother mending a young boy's trousers, [s.d.]
The painting "Waning Day" by Stanton, depicting a country road draped in fog, [s.d.]
The painting "Youth" by Veith, depicting the profile of a young girl, [s.d.]
The painting "Setting Sun" by Julien Dupre, depicting a pastoral landscape, [s.d.]
The painting "Love's Baubles" by Shinn (?), depicting a procession following a boy with a platter of fruit, [s.d.]
Detail from the painting "The Broken Pitcher" by Greuze, depicting a young girl, [s.d.]
"A Devonshire Mill" a painting by Wierock, depicting an old water mill, [s.d.]
The painting "The Widower" by Sir Samuel Fildes, depicting a working man at home with his children, [s.d.]
The painting "Vanity" by Asti, depicting a bare-breasted young woman in profile, [s.d.]
Painting by Hofmann depicting the head of Christ without a halo, [s.d.]
The painting "Planting Potatoes" by Millet, depicting a man and a woman gardening, [s.d.]
The painting "An Evening Song" by Breaute, depicting a young woman reading a folio in a study, [s.d.]
The painting "Fair Musician" by Le Roux, depicting a woman with a lute, [s.d.]
The painting "Pride of the Ghetto" by Nathaldi Siehel, depicting a young gypsy woman against a wall, [s.d.]
The painting "The Angelus" by Millet, depicting a man and a woman at prayer on the farm, [s.d.]
The painting "Song Without Words", depicting a young woman playing a zither, [s.d]
Landscape painting depicting "An opening in the Forest of Fontainbleau", by Rosseau, [s.d.]
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