University of Southern California Dissertations and Theses

Reconnecting with nature

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Reconnecting with nature

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Content Copyright 2023 Haiwei Yeh
RECONNECTING WITH NATURE
By
Haiwei Yeh
A Thesis Presented to the
FACULTY OF THE USC ROSKI SCHOOL OF ART AND DESIGN
UNIVERSITY OF SOUTHERN CALIFORNIA
In Partial Fulfillment of the
Requirements for the Degree
MASTER OF FINE ARTS
(DESIGN)
December 2023

ii
This thesis is dedicated to my parents,
Cheng Chung and Yu Fung,
Thank you for the endless love, support, and encouragement,
Without which none of my success would be possible.

iii
Acknowledgments
I would like to thank Ewa Wojciak, April Greiman, Laurie Burruss, Thomas Mueller, and
Miya Desjardins for all their support and guidance throughout the years. It has been a heartfelt
and rewarding journey. From the art and ceramics studios and garden visits to dinner gatherings,
the skills learned and memories made will stay with me forever. It was a privilege to be
mentored by all of you. Your passions and dedication inspire me to be better every single day.
I would also like to thank Michelle Arlington, the executive director of Arlington Garden,
for the opportunity to develop a deeper and more intimate understanding of oak tree life.
My journey would not be possible without the unwavering support of all my family and
friends. I would like to thank them all for always being there for me during the best and toughest
times.

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Table of Contents
Dedication....................................................................................................................................... ii
Acknowledgements....................................................................................................................... iii
List of Figures ............................................................................................................................... vi
Abstract........................................................................................................................................ viii
Introduction..................................................................................................................................... 1
Chapter 1: Feeling Connected with Nature .................................................................................... 3
1.1 Loneliness and Social Isolation ............................................................................................ 3
1.2 Nature Deficit from Digital Media Overuse ......................................................................... 4
1.3 Effects of Post COVID-19.................................................................................................... 7
1.4 Positive Effects of Nature Interaction on Wellbeing ............................................................ 9
Chapter 2: Nature and Social Wellbeing ...................................................................................... 11
2.1 Experiencing Nature Close at Hand.................................................................................... 11
2.2 Interaction with Nature and its Psychological Impact ........................................................ 13
2.3 Digital Nature & Neurological Nourishment...................................................................... 16
Chapter 3: [Re]Connecting with Nature: Personal Explorations and Projects............................. 20
3.1 Plant LA: Team Collaboration with Indigenous of LA County ......................................... 20
3.1.1 Background and Context: ............................................................................................ 20

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3.1.2 Methodology:............................................................................................................... 21
3.1.3 Implementation: ........................................................................................................... 23
3.1.4 Results and Findings:................................................................................................... 26
3.2 Japan: Nature’s Impact on Culture and Society (book cover, REVIEW OF JAPANESE
CULTURE AND SOCIETY)...................................................................................................... 26
3.2.1 Nature's Influence on Japanese Culture ....................................................................... 26
3.2.2 Inspired by the Reverence for Nature in Japan............................................................ 27
3.2.3 Designing the Essence of Japan: Exploring REVIEW OF JAPANESE CULTURE
AND SOCIETY in Book Layout............................................................................................ 28
3.3 Nature Outside In: Material Exploration of Mulberry Bark ............................................... 32
3.3.1 Rooted in Heritage: A Glimpse of Hualien's Richness................................................ 32
3.3.2 Beneath the Surface: Unveiling Paper Mulberry Fiber's Allure .................................. 32
3.3.3 Installation.................................................................................................................... 33
3.3.4 Conclusion ................................................................................................................... 37
3.4 The Wolf Tree: Exploring the Oak’s Ecosystem, Arlington Garden.................................. 38
3.4.1 What is a Wolf Tree? ................................................................................................... 38
3.4.2 The Ecosystem of The Oak.......................................................................................... 38
3.4.3 DOCUMENTING THE DEATH (Removal) .............................................................. 39
3.4.4 Oak Tree Removal Process.......................................................................................... 40
3.4.5 Rebirth: A Journey of Transformation......................................................................... 42

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3.4.6 Documenting the Oak Removal Extension Project: Oak Tree Life Cycle Booklet/
Installation............................................................................................................................. 44
3.4.7 Preserving Nature's Legacy: The Oak Tree Removal Project Digital Archive ........... 48
3.4.8 Nature Journal: Archive My Exploration of Nature .................................................... 50
Chapter 4: Conclusion................................................................................................................... 52
Bibliography ................................................................................................................................. 54

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List of Figures
Fig 1, Paik, Nam June, TV Garden, installation view, 1974—1977, reconstructed 2002............ 19
Fig 2, Plant LA Application User Interface 1............................................................................... 24
Fig 3, Plant LA Application User Interface 2............................................................................... 24
Fig 4, Mesquite Icon Inspiration................................................................................................... 25
Fig 5, Plant LA Application Icon Kit............................................................................................ 25
Fig 6, Cherry Blossom.................................................................................................................. 28
Fig 7, Koi Fish .............................................................................................................................. 29
Fig 8, Yumeji Takehisa Color Scheme Palette from Color Scheme Idea Handbook: Beautiful
Japanese Colors and Words 1 ....................................................................................................... 30
Fig 9, Color Scheme Idea Handbook: Beautiful Japanese Colors and Words 2........................... 30
Fig 10, Book cover layout design for RJCS 1 .............................................................................. 31
Fig 11, Book cover layout design for RJCS 2 .............................................................................. 31
Fig 12, Book Cover Design for Review of Japanese Culture and Society ................................... 31
Fig 13, The Process of Making Paper Mulberry Fiber ................................................................. 33
Fig 14, "Nature Outside In" Installation 1 .................................................................................... 34
Fig 15, "Nature Outside In" Installation 2 .................................................................................... 35
Fig 16, "Nature Outside In" Installation 3 .................................................................................... 35
Fig 17, "Nature Outside In" Installation 4 .................................................................................... 36
Fig 18, "Nature Outside In" Installation 5 .................................................................................... 36

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Fig 19, Paper Mulberry Fiber Detail............................................................................................. 37
Fig 20, Oak Tree Removal Process 1............................................................................................ 40
Fig 21, Oak Tree Removal Process 2............................................................................................ 41
Fig 22, Oak Tree Removal Process 3............................................................................................ 41
Fig 23, Oak Tree Removal Process 4............................................................................................ 42
Fig 24, The main trunk of a felled oak tree................................................................................... 44
Fig 25, Page layout illustration ..................................................................................................... 45
Fig 26, Oak Tree Life Cycle Booklet/ Installation ....................................................................... 46
Fig 27, Oak Tree Life Cycle Booklet Cover................................................................................. 46
Fig 28, Close-up of the inside page .............................................................................................. 47
Fig 29, Details on Booklet and binding format............................................................................. 47
Fig 30, UI Mockup........................................................................................................................ 48
Fig 31, Home page........................................................................................................................ 49
Fig 32, Nature Journal 1................................................................................................................ 50
Fig 33, Nature Journal 2................................................................................................................ 51
Fig 34, Nature Journal 3................................................................................................................ 51

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Abstract
The recent pandemic lockdowns and social distancing measures have exacerbated
loneliness and social isolation among the general population, resulting in both mental and
physical public health concerns. In addition, the constant use of technology has kept us at home
with our computers and not interacting with nature. Research indicates that the feeling of
connectedness to nature is a better predictor of health and well-being than the mere number of
social contacts. Nature has a positive effect on one’s mental well-being, and the advantages of
interacting with nature are numerous:
• Improvement of mood and positive emotions (like awe)
• Restoration of attention
• Enhanced feelings of social support
• Reduction of feelings of loneliness
Self-isolation impacts one’s mental well-being by prohibiting the restorative healing that
nature can provide. As a designer, when I relate to or feel connected to nature, I am happier,
more in touch with the world, and have an increased sense of creativity.
The pursuit of reconnecting with nature is a prominent theme in my thesis design work.
Through my explorations, I aim to develop an awareness of how nature can profoundly affect
our lives. Beyond the technical and psychological benefits of being in nature, the presence of the
biological world lifts our spirits and nourishes our souls. My work seeks ways to reconnect
individuals with the tangible aspects of the natural environment.
Keywords: digital nature, biomimicry, nature-based design, loneliness, connectedness, wellbeing

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Introduction
During the past three years, the COVID-19 outbreak has profoundly impacted our health,
well-being, and connection to nature. Consequently, loneliness and social isolation have become
problematic public health concerns, with severe consequences that negatively affect one’s mental
and physical well-being. For instance, many employers' widespread adoption of remote work and
the shift to online classes in schools and universities have blurred the boundaries between
professional and personal life. Employees are now expected to be constantly available to respond
to work-related requests, which often encroaches on precious personal time with family and
coworkers. Thus, with this introduction of digital landscapes it creates new opportunities for
camaraderie and essential interpersonal skills.
During these societal shifts, a recent study has illuminated nature's remarkable ability to
positively impact one's mental health, making it a powerful resource for combating the harmful
effects of loneliness. Interacting with and immersing ourselves in nature offers various such as
enhancing our mood, evoking positive emotions, restoring our focus, and fostering feelings of
enhanced social support while alleviating the burdens of loneliness. Moreso, the rapid
progression of technology over the past century has further fostered feelings of separation and
self-isolation, hindering personal recovery, healing, and spiritual well-being.
As a designer, I have experienced the transformative power of connecting with nature.
Nature has brought me joy, deepened my sense of connection to the world, and has served as an
abundant source of creativity. During my creative process, Nature is my muse, and I intend to
utilize nature’s natural materials to their fullest potential in my upcoming projects. For instance,
in the oak tree removal project that I participated in, I was able to document the removal process

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firsthand, giving me insight into the circle of life in nature. Another project I designed, the "Plant
LA" application, identifies and teaches about native plants in Los Angeles, as well as educates
about the relationship between native plants and indigenous people. Lastly, by designing the
cover of the book Review of Japanese of Culture and Society, I Focused on the impact of nature
on Japanese life and culture. All these projects foster meaningful connections that rekindle our
lost bonds with nature, harnessing its potential to enhance our well-being and inspire a more
sustainable and harmonious coexistence.

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Chapter 1: Feeling Connected with Nature
1.1 Loneliness and Social Isolation
Loneliness and social isolation are detrimental public health problems that affect many
people, putting them at risk of dementia and other severe disorders.
A report from the National Academies of Sciences, Engineering, and Medicine
(NASEM) points out that more than one-third of adults aged 45 and older feel lonely, and nearly
one-fourth of adults aged 65 and older are considered to be socially isolated.1 Older adults are at
an increased risk for loneliness and social isolation because they are more likely to face factors,
such as living alone, the loss of family or friends, chronic illness, or hearing loss.
Loneliness is defined2 as the sensation of being alone, regardless of social engagement.
And a lack of social relationships is referred to as social isolation. Some people experience
loneliness due to social isolation, whereas others experience loneliness without being socially
isolated. Thus, while many people associate loneliness with social isolation, there is a contrast. A
lack of contact with other people is classified as social isolation, and as humans, it is necessary
that we, as social beings, require some form of connection. These conditions for connection,
however, can be met by conversing with people, either in person or remotely. The human need
for social engagement can be appeased simply by engaging with individuals in our surroundings.
On the other hand, loneliness can also refer to a sorrowful sensation of isolation in the
world. This reminds me of the phrase “alone in a crowded room.” Loneliness is frequently
1 National Academies of Sciences, Engineering, and Medicine. 2020. Social Isolation and Loneliness in Older
Adults: Opportunities for the Health Care System. Washington, DC: The National Academies
Press. https://doi.org/10.17226/25663 2 Josca Van Houwelingen-Snippe, Thomas Johannes Lucas Van Rompay, and Somaya Ben Allouch, “Feeling
Connected after Experiencing Digital Nature: A Survey Study,” International Journal of Environmental Research
and Public Health 17, no. 18 (September 21, 2020): 6879, https://doi.org/10.3390/ijerph17186879.

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triggered by a loss, such as the possible loss of movement, health, or hearing-or perhaps the loss
of a lifetime career or the death of a spouse, friends, or relatives. This sense of loss creates a
vicious domino effect that can lead to despair and force lonely individuals to pursue even fewer
opportunities for social connections, increasing their isolation and loneliness as they feel their
purpose in life is waning.
1.2 Nature Deficit from Digital Media Overuse
In today’s digital age, my life has become closely intertwined with screens, virtual
reality, and online experiences. While technology has certainly transformed my lifestyle, it has
also inadvertently distanced me from the natural world, giving rise to what experts refer to as a
“nature deficit3.”
As I immerse myself in digital media, I spend less and less time outdoors, missing out on
nature’s many benefits. I reminisce about my childhood when digital media was not as prevalent;
I remember climbing trees and exploring the backyard with my classmates during recess. These
experiences such as climbing trees taught me valuable lessons, like overcoming fear, problemsolving and respecting gravity. Weekend hikes were an everyday leisure activity for me during
my younger years. My father would often take me to explore Taiwan’s unique natural
environments, like Yangmingshan and Alishan. During middle and high school, after I was
introduced to digital media, my leisure time shifted from hiking to spending more time glued to
digital devises. Consequently, my time in nature diminished as I grew older, causing me to miss
the many benefits nature offers. The rapid development of digital media is what limits children’s
3 Richard Louv, Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder (Algonquin Books,
2008).

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encounters with nature during their formative years. Not only children but adults have also
gradually lost touch with the tranquility and serenity that nature has to offer.
My deeper understanding of nature’s deficit, resulting from the excessive use of digital
media, came from reading Richard Louv’s book, “Last Child in the Woods: Saving Our Children
from Nature-Deficit Disorder4
.” Louv examines the social changes that have led today’s children
away from nature. He also examines the physical and social transformations seen among children
today. He provides both a warning about the loss of nature and a few hopeful solutions. Louv
explains that “Nature-deficit disorder” is medical nor scientific but rather a term defining the
current state of our urban lifestyle.
The central argument of "Last Child in the Woods" is that today's children are suffering
due to their limited exposure to nature. Louv believes digging in the soil or wandering through
forests is essential for every child’s development. The evidence he presents suggests that
spending time outdoors helps alleviate symptoms of conditions such as ADHD. Louv asserts that
in our current era, children spend increasingly more time indoors, when instead they should be
engaging outdoors and letting their imaginations run wild. Nature is a rich learning environment
that stimulates curiosity, creativity, and problem-solving skills. Children who spend time
exploring nature develop better observational and critical thinking skills because nature provides
a variety of sensory experiences that promote cognitive development and enhance spatial
awareness. Conversely, excessive exposure to digital media can hinder cognitive development,
attention, and information processing. Therefore, incorporating nature-based activities into
education can promote overall mental growth.
4 Ibid.

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Louv weaves captivating anecdotes and scientific data, highlighting how today’s children
are more detached from outdoor activities than any previous generation. Various factors keep
children indoors, such as losing open spaces, fear of injury, and the allure of electronic
entertainment. Louv tells the story of interviewing a child who told him he liked playing indoors
more than outdoors “’cause that’s where all the electrical outlets are5
.” By tracking emerging
trends, Louv draws connections between higher levels of childhood obesity and depression with
reduced creativity, lower academic performance, and this nature deficit. These studies indicate
that direct contact with nature is crucial for children’s healthy development and the overall
physical well-being of both children and adults.
Furthermore, it is important to acknowledge the phenomenon of Digital Media Overuse6
(DMO), often known as “Internet or technology addiction.” DMO refers to the obsessive and
problematic use of digital gadgets that provide online and streaming platforms for gaming,
pornography, shopping, social networking, and information/entertainment. Most digital media
are constructed on persuasive design architecture, which overcomes human efforts to restrict the
use and manage urges. DMO negatively influences academic and occupational achievement,
disturbs sleep, impairs attention/concentration, promotes social isolation, and poorly impacts
physical and mental health.
The excessive use of digital media inadvertently contributed to a nature deficit, resulting
in numerous physical, emotional, cognitive, and social consequences. By recognizing the
importance of nature in both the cognitive and physical development of an individual, it becomes
5 Danielle Cohen, “Why Kids Need to Spend Time in Nature,” Child Mind Institute, April 14, 2023,
https://childmind.org/article/why-kids-need-to-spend-time-in-nature/. 6 The Boulder Home Theater Company, “Digital Media Treatment of Screen Overuse and Addiction,” Digital Media
Treatment & Education Center, January 18, 2021, https://digitalmediatreatment.com/digital-media-screen-internetaddiction/.

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evident that a harmonious relationship between nature and technology is required. By fostering a
harmonious relationship between digital technology and nature, a healthier, more balanced future
can be created for us and future generations. Embracing the wisdom shared by Richard Louv in
“Last Child in the Woods” will catalyze change, inspiring individuals, and communities to
prioritize nature and overcome the nature deficit caused by excessive digital media use.
1.3 Effects of Post COVID-19
COVID-19 has brought about unprecedented changes in our lives, compelling us to adapt
to new norms and restrictions. Navigating the post-pandemic era, I realized the significance of
feeling connected with nature for my overall well-being. The prolonged periods of lockdown and
isolation have served as a reminder of nature’s profound influence over our collective mental,
emotional, and physical health. For me, nature is like a refuge, providing peace and tranquility
amidst the chaos and uncertainty of a post-pandemic world.
The stress and anxiety caused by the pandemic have led me to seek solace in indoor
gardening. Raising plants was a fabulous way to connect with nature on a personal and concrete
level. It allowed me to experience the natural world’s beauty, vitality, and vibrancy within my
living space. Planting seeds and witnessing them sprout, grow leaves, and eventually bloom, I
became excited by the sight of the new growth of leaves and flowers. I started paying closer
attention to the natural process of life. This process allowed me to appreciate the
interconnectedness of all living things and to marvel and be in awe of the wonders of nature.
From the joy of nurturing life, I observed the miracle of growth and transformation, gaining a
deeper understanding of the interconnectedness of all living things. My mood improved

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drastically through this interaction with nature. Through raising plants, I have forged a closer
bond with nature and enriched my connection to the natural world.
Similar to how I connected with nature through gardening, I noticed that my friends and
family sought to spend much more time outdoors after quarantine restrictions were enforced.
People sought out nature when the government encouraged everyone to stay at home and social
distance. Researchers from the University of Vermont gathered7 data from over 3,200
Vermonters who completed online questionnaires between May 3 and May 19, 2020 – a period
when Governor Phil Scott imposed limitations on businesses and social gatherings to mitigate
the impact of COVID-19 on the state.
• walking – up 70%
• wildlife watching — up 64%
• relaxing outside alone — up to 58%
• taking photos and creating art — up to 54%
Of the 15 outdoor activities studied, the participants reported decreases in camping (48%)
and relaxing outside with others (43%): two activities where it can be hard to maintain physical
distance. The researchers also asked the respondents how they thought being outside benefited
them. Nearly 60% of the participants experienced improved mental health and well-being after
being outdoors, while 29% said they went outside for exercise. Other things the participants
valued about outdoor time included appreciating nature’s beauty (29%) and connecting to
something bigger than themselves (22%). Dr. Rachelle Gould, the study’s senior author and an
assistant professor at the Rubenstein School of Environment and Natural Resources at the
7 Beth JoJack, “How Has the Pandemic Influenced Our Relationship with Nature?” Medical News Today, January 3,
2021, https://www.medicalnewstoday.com/articles/how-has-the-pandemic-influenced-our-relationship-with-nature.

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University of Vermont, says: “These data are like a treasure chest of the pandemic moment: a
record of how people have been thinking about their relationship with the rest of the world in a
time of great upheaval.”8
In a separate research study, Of the 1,921 UK participants who participated in a BBC
Wildlife Magazine questionnaire in September 2020, 58% have spent more time outside in green
and natural spaces since government restrictions were introduced, and 82% say they will
continue this behavior. BBC Wildlife editor Paul McGuinness says: “Our study backs up what
many of us suspected – that now more than ever, it is vital for people to connect with nature, for
both our physical and mental well-being. The key challenge will be how we maintain or increase
this engagement.”9
Coming out of the COVID-19 pandemic, I realized that nature profoundly impacts human
well-being. Meditating and feeling connected to nature is not just a luxury but a necessity for our
physical, mental, and emotional well-being; it is an innate need that humans need in order to
function properly. The pandemic served as a poignant reminder of nature’s significance in my
life, propelling me to find solace and healing within its nurturing embrace. I have become more
appreciative and nurturing of my connection to nature and value its healing effects.
1.4 Positive Effects of Nature Interaction on Wellbeing
The benefits that come from being in touch with nature are apparent as scientific research
increasingly highlights the positive impact of nature’s interaction on health. Connecting with
8 Ibid 9 Jo Price, “COVID-19 Strengthens Our Connection with Nature,” Discover Wildlife, May 11, 2022,
https://www.discoverwildlife.com/news/covid-19-strengthens-our-connection-with-nature/.

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nature has been demonstrated to reduce stress, improve mental well-being and cognitive
function, enhance physical fitness, and promote emotional happiness. Nature makes us feel alive
from the inside out and therefore, as Louv emphasized, we should not compromise it for recent
developments like urbanization, technology, or social media.
Therefore, it is crucial to incorporate nature into our daily lives. Whether it’s a leisurely
walk in the park, tending to a garden, or spending time in green spaces, the undeniable
advantages of immersing ourselves in nature are evident. By cultivating a connection with the
natural world, we can improve our overall health and foster a healthier and more balanced
lifestyle.
Furthermore, studies10 have demonstrated that spending time in natural environments can
enhance attention, memory, and creativity. Whenever I lack inspiration during my creative
process, I find solace in stepping outdoors or looking at pictures of the natural world to tap into
the creativity that nature brings. The shapes and textures of plants never fail to stimulate my
creative imagination, and I always find unexpected inspiration from nature.
10 Trine Plambech and Cecil C. Konijnendijk Van Den Bosch, “The Impact of Nature on Creativity – A Study
among Danish Creative Professionals,” Urban Forestry & Urban Greening 14, no. 2 (January 1, 2015): 255–63,
https://doi.org/10.1016/j.ufug.2015.02.006.

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Chapter 2: Nature and Social Wellbeing
2.1 Experiencing Nature Close at Hand
One of the primary benefits of experiencing nature up close lies in the sense of relaxation
and tranquility it offers. As someone who frequently yearns for travel and adventure in remote
and topographically challenging destinations but seldom encounters such opportunities, I find
myself drawn to Dubkin's candid and instructive "credo" in the introduction to his book "The
Natural History of a Yard."
It seems to me that people are forever traveling great distances, and journeying to
strange countries, to see things that, if they only knew it, exist beside their own doorstep.
The common animals, birds and insects that are found in a little yard in the city are as
fascinating to watch, and as fruitful in affording the careful observer a glimpse into some
of the mysteries of nature, as are the rare and uncommon creatures of some far-off land.
Whether one goes to nature for truth, or for beauty, for knowledge or for relaxation,
these things can be found in a yard in the city as well as in a tropical jungle, for they
exist in the common, simple, everyday things all about us, as well as in the rare and
exotic.11
Dubkin, a self-taught naturalist and journalist who immigrated from Russia with his
parents at the turn of the 20th century and spent nearly his entire 67 years in Chicago, penned
hundreds of newspaper columns as well as several books of observational (and frequently
humorous) describes the plants and animals he encountered in the city. Rachel Carson, author
of Silent Spring, was an astute observer and engaging chronicler of urban nature. However,
11 Leonard Dubkin, The Natural History of a Yard (H. Regnery Co, 1955), 6.

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long before literary critics recognized the genre of urban nature writing, restoration ecology
became a widely accepted environmental approach.
Dubkin’s work in urban nature writing made me come to the realization that
commonplace nature is all around. Nature is in the unassuming trees that get passed by daily, the
greenery that accentuates the backyard of a home, the walk in the quaint little park near your
home, the leisurely picnic in a lush and vibrant garden, the leisurely sit by a cool river after a
strenuous hike or stargazing in Joshua Tree National Park. These within-reach nature
experiences offer an opportunity to disconnect from the demands of daily life, reducing stress
levels and promoting mental well-being. When I am in nature, I enjoy all nature has to offer me.
Even though I do not fully understand its mysteries and intricacies, I still feel so close to nature.
The joy and wonder nature brings me makes me feel that nature is not far away and gives me
(and hopefully others) a spiritual uplift. The power I feel from nature further enhances my
substance, making my faith stronger and my life more complete. Through modern science and
technology, I can have a deeper understanding of plants and nature (itself) at a molecular level.
And yet, the true enjoyment and understanding of nature is only on the surface.
Visiting memorable natural settings with friends and family establishes bonds and
strengthens relationships. Families may enjoy outdoor pursuits together, such as camping,
hiking, and picnics, which promote bonding and quality time. Similarly, friends may get together
for a leisurely stroll in a local park or participate in group activities like gardening or birding to
foster camaraderie and shared interests. People unite over their love of nature, generating a sense
of community and connection.

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2.2 Interaction with Nature and its Psychological Impact
In today's fast-paced world, mental fatigue is a prevalent issue. However, spending time
in nature provides a much-needed break from the mental strain of everyday life. According to A
Review of the Benefits of Nature Experiences: More than Meets the Eye12, walking in green
places or natural sceneries can help relieve mental weariness and enhance cognitive
performance. Our thoughts are calmed by nature's peaceful sights, sounds, and fragrances,
improving mood and lowering stress levels. Interacting with nature restores our mental
resources, paving the way for better social connections when interacting with people from a
place of mental wellness.
Interaction with nature has a magical ability to evoke positive emotions within us,
whether it be viewing the majestic mountains from the top of a mountain, the endlessly stunning
lavender gardens, or admiring the vibrant colors of a sunset. The beauty of nature evokes joy and
wonder. When I experience positive emotions, I am more likely to approach social situations
with an open mind, empathy, and kindness. The power of positivity contagiously spreads to
others, fostering harmonious relationships and creating a supportive social environment. After
reading the Handbook of Well-being 13by E. Diener, S. Oishi, & L. Tay, I realized that positive
emotions enhance social relationships and that living with a positive attitude and feelings can
help enhance social interactions. Also, in an article, Dr. Fredrickson argues that the reason why
we experience positive emotions is to broaden and build our resources for the future; and one key
type of resource is social support. We experience positive emotions when we have been
12 Lara Franco, Danielle F. Shanahan, and Richard A. Fuller, “A Review of the Benefits of Nature Experiences:
More than Meets the Eye,” International Journal of Environmental Research and Public Health 14, no. 8 (August 1,
2017): 864, https://doi.org/10.3390/ijerph14080864. 13 Ed Diener, Shigehiro Oishi, and Louis Tay, “Handbook of Well-Being,” January 2018,
http://www.nobascholar.com/books/1.

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successful, and there are no imminent threats. It is in these situations that people have more
freedom to build resources and skills for the future. Therefore, positive feelings allow us to form
tighter bonds with others by doing rewarding activities with them, and by helping others in a way
that they are likely to reciprocate in the future14. Positive emotions enable us to connect with
others, and these positive emotions, in turn, contribute to enhanced social interactions.
The following are some of the research15 findings I have compiled on the psychological
impact of interactions with the natural world:
• Stress Reduction: Numerous studies have demonstrated that spending time in nature can
reduce stress levels. Natural environments, such as forests, parks, or gardens, have a
calming effect on the mind and body, leading to decreased physiological stress markers.
• Improved Mood and Well-being: Interacting with nature has been linked to improved
mood and overall well-being. Nature exposure is associated with increased positive
emotions, such as happiness, joy, and relaxation while reducing negative emotions like
anxiety and depression.
• Attention Restoration: Nature environments can help restore attention and cognitive
function. Spending time in nature allows for a break from direct engagement, often
depleted in urban and indoor settings, improving focus, concentration, and mental clarity.
• Enhanced Mental Health: Nature interaction has been shown to impact mental health
outcomes positively. It is associated with decreased symptoms of anxiety, depression, and
14 Shannon M. Moore, Ed Diener, and Kenneth Tan, “Using Multiple Methods to More Fully Understand Causal
Relations: Positive Affect Enhances Social Relationships,” 2018.
15 JIM ROBBINS, “Ecopsychology: How Immersion in Nature Benefits Your Health,” Yale Environment 360,
January 9, 2020, https://e360.yale.edu/features/ecopsychology-how-immersion-in-nature-benefits-your-health.

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stress-related disorders. Engaging with nature can also improve self-esteem and selfworth.
• Increased Well-being in Specific Populations: Research suggests that nature interaction
can have specific psychological benefits for certain populations, such as children with
attention-deficit/hyperactivity disorder (ADHD), individuals experiencing mental health
challenges, and older adults with cognitive decline.
• Restorative Effects: Nature exposure can help restore cognitive resources and reduce
mental fatigue. It provides a respite from the demands of daily life, allowing individuals
to recharge and replenish their cognitive capacities.
• Connection with Nature and Environmental Attitudes: Interacting with nature can
foster a relationship with the natural world. This connection is associated with positive
environmental attitudes and behaviors, promoting pro-environmental actions and
sustainability.
These psychological influences may vary from individual to individual and may be
influenced by cultural background, personal preferences, and the natural environment being
explored. Nonetheless, nature interactions in different contexts can be of great psychological
benefit to individuals. Nature interaction is a gateway to mindfulness and presence: two powerful
states of consciousness that profoundly impact our psychological well-being. In nature, I need to
slow down, be free from distractions, and be completely relaxed and immersed in the present
moment. This heightened awareness allows us to understand the beauty and intricacy of the
natural world, fostering a sense of gratitude and contentment. I can engage in meaningful social
interactions, actively listen to others, empathize, and build deeper connections when mindful and
present. By Immersing ourselves in the beauty of nature, one can restore mental fatigue, boost

16
positive emotions, cultivate mindfulness, and engage in physical activities that foster social
bonding. Thus, incorporating nature into one’s daily life is essential, whether through regular
walks in the park, weekend hikes, or tending to a garden. Recognizing the psychological impact
of natural interactions and actively seeking opportunities to engage with the natural world can
improve social well-being and promote a more fulfilling life.
2.3 Digital Nature & Neurological Nourishment
Digital nature refers to depicting natural environments through technology, such as
virtual reality, video simulations, or digital media. Yoichi Ochiai defines "Digital Nature"16 as a
new perspective on nature composed of digital media. Digital Nature transcends our current
norms of physical and recognition abilities. Digital nature provides access for individuals with
limited access to natural environments. Whether due to physical limitations, geographic
constraints, or time restrictions, some individuals are unable to experience nature directly.
Through virtual reality or high-definition videos, people can explore diverse landscapes, interact
with wildlife, and experience nature's therapeutic benefits from the comfort of their homes. This
accessibility expands opportunities for nature engagement. Digital nature can substitute for real
nature for those with limited access to green space or are confined to their homes, for example,
during the worldwide COVID-19 lockdown.
As simulated nature might have similar effects on mental health as real nature, it can be
applied in a variety of settings where there is a lack of (access to) real-life nature interaction. A
short single dose of nature videos in virtual reality can enhance positive mood levels.
16 Feinstein, Kenneth. (2017). From the nature of technology to digital nature.

17
Furthermore, immersive nature videos can evoke emotional responses and a sense of presence
comparable to responses evoked by real-life nature experiences. For older adults with mobility
restrictions or those with limited access to nature in general, virtual nature promotes health and
maintains a high quality of life, and it can even be used in therapy within psychiatric or medical
care17.
Digital nature experiences provide cognitive stimulation and nourishment to the
neurological system. For example, virtual reality simulations18 of nature engage multiple senses
and activate regions in the brain associated with attention, memory, and spatial processing. This
cognitive stimulation enhances cognitive functioning, including attention control and working
memory, which are crucial for effective social interactions. By engaging with digital nature,
individuals sharpen their cognitive abilities and improve their social skills, leading to more
fulfilling and meaningful social relationships. Digital nature offers exciting opportunities for
promoting social well-being through neurological nourishment. It provides accessible nature
experiences, reduces stress, enhances emotional well-being, stimulates cognitive functioning,
and supports environmental education. The combination of technology and nature evolves the
way in which individuals can participate in an inclusive and interconnected society. However,
balancing digital and direct nature experiences is key to recognizing the unique value of each. By
embracing digital nature as a supplement to direct interactions, the potential exists to enhance
social well-being and foster a deeper appreciation for the natural world.
17 Josca Van Houwelingen-Snippe, Thomas Johannes Lucas Van Rompay, and Somaya Ben Allouch, “Feeling
Connected after Experiencing Digital Nature: A Survey Study,” International Journal of Environmental Research
and Public Health 17, no. 18 (September 21, 2020): 6879, https://doi.org/10.3390/ijerph17186879. 18 Liz Edwards, Andy Darby, and Claire Dean, “From Digital Nature Hybrids to Digital Naturalists: Reviving
Nature Connections through Arts, Technology and Outdoor Activities,” in Springer Series on Cultural Computing,
2020, 295–314, https://doi.org/10.1007/978-3-030-42097-0_16.

18
Digital nature platforms provide environmental education opportunities and raise
awareness of nature conservation. In recent years, major exhibitions, such as Nam June Paik's
work TV Garden, have used interactive digital experiences to help viewers understand
ecosystems, forest ecology, wildlife, and environmental issues in participatory and immersive
ways. Increasing ecological consciousness can drive positive social change; encouraging
individuals to be more proactive and involved in protecting the natural world. However, Direct
contact with nature offers unique sensory and physiological experiences that digital
representations cannot fully replicate. Therefore, digital nature should be a complementary tool
that supplements and enhances direct nature interaction rather than replacing it.
Nam June Paik often explores the possibilities of aesthetic values in television's
flickering facade. In TV Garden, Paik created a composition within the new aesthetic discourse;
It is an immersive piece that requires its viewers to participate. It's a fusion of the natural and the
technological. Little video monitors are hidden amid live plants, and they are all playing Paik's
1973 Global Groove, a montage of performers from around the world. In a way, TV Garden sets
a new standard for immersive, site-specific installations using video. It is a blueprint for other
room-sized installations in museums today.19
19 Ania Kaczynska, “Video Art Pioneer: Nam June Paik in 5 Artworks,” DailyArt Magazine, October 24, 2022,
https://www.dailyartmagazine.com/nam-june-paik-in-5-artworks/.

19
Fig 1.Paik, Nam June, TV Garden, installation view, 1974—1977, reconstructed 2002, (Collection of Kunstsammlung Nordrhein
Westfalen, Dusseldorf), https://www.artsy.net/article/artsy-editorial-nam-june-paik-predicted-future-melding-art-technology.
Many interpretations can be drawn, including the rather obvious one that this is the merge
of nature and technology and the effect each has on the other. On the other hand, the numerous
curated contents in the media can be interpreted as a simulation of jungle noises.
One thing is evident: TV Garden seeks to stimulate the senses with a mixture of color and
sound. Color from the lush tropical garden makes the canvas for his TV sets. Sound emanates
from the TV sets and rustles through the leaves of the various plants nestled among the television
sets.20 This artwork grabs the eye and the mind in its juxtaposition effect, where the viewer's
attention moves from plant life to television sets and vice versa.
20 Public Delivery, “Why Did Nam June Paik Create His TV Garden?” November 30, 2018,
https://publicdelivery.org/nam-june-paik-tv-garden/.

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Chapter 3: [Re]Connecting with Nature: Personal Explorations and Projects
3.1 Plant LA: Team Collaboration with Indigenous of LA County
3.1.1 Background and Context:
This project was designed for the 3rd LA Series, "Beyond Land Acknowledgement: New
Models of Support and Reparation for Indigenous Communities." In this virtual event, I worked
with a team of design graduates (Soyoung Leeand Anny Li), where we led Tongva voices in a
discussion about how Los Angeles and other cities can more actively and meaningfully support
Indigenous communities. Many institutions have adopted Indigenous land acknowledgment
policies in recent years. Yet, Native leaders frequently caution that these statements risk ringing
hollow if they are not backed by a larger commitment to reparative work, land conservancy, comanagement, and land return, among other goals.
“We don’t see nature as natural resources. We see them as relatives. When you see
something as a natural resource it just means that you are taking and taking it back,21”
Torres says. “Whenever we’re taking something, for nature to survive, we have to give
back. You have to have a reciprocal relationship with nature.” 22
This application developed for the third annual Los Angeles series, “Beyond Land
Recognition: A New Model of Support and Reparations for Native Communities," represents a
tool for educating users about California's native plants and their uses. The app features a wealth
of information and multimedia content, including illustrations and interactive maps, that makes
learning about these plants engaging and accessible. The app also includes features that allow
21 Clarissa Wei, “A Guide To Some Indigenous Foods Of California,” KCET, November 14, 2016,
https://www.kcet.org/shows/tending-the-wild/a-guide-to-some-indigenous-foods-of-california. 22 Ibid

21
users to search for plants by location, learn about their cultural and ecological significance, and
provide information about traditional uses such as food and medicine.
The primary goal of this project was to enable users to better understand the indigenous
plants of California and the relationship between humans and nature through an interactive
experience. Doing so also promotes the user's awareness and appreciation of different cultures.
Overall, the mobile app represents a contribution to the cause of supporting Native communities
and demonstrates the power of technology in bridging cultural divides and promoting
understanding.
3.1.2 Methodology:
At the outset of our research, we focused on the Los Angeles Basin and Southern
Channel Islands indigenous people, the Tongva. Recognizing the importance of understanding
the local context and indigenous perspectives, we explored the native plants found in various
areas of Los Angeles and their relationship with the Tongva people.
In this phase, we conducted in-depth research to comprehend the development and
utilization of these native plants by the Tongva and other Los Angeles tribes. Our investigation
encompassed multiple aspects, including the diversity of native plants, their traditional uses,
cultural significance, and ecological importance. By delving into historical records, oral
traditions, and academic literature, we aimed to gain a complete understanding of the unwritten
indigenous knowledge of these natural plants.
Throughout our research, we discovered fascinating insights into the diverse uses of
native plants by the Tongva and other Indigenous communities. These uses ranged from
medicinal purposes, food and nutrition, construction materials, tools and crafts, ceremonial

22
practices, and spiritual connections with nature. We also explored the sustainable harvesting
practices employed by the Indigenous people, demonstrating their deep-rooted understanding of
the ecosystem and their commitment to preserving natural resources. By investigating these
plants' development, diversity, and utilization, we sought to lay a solid foundation for our
collaborative project and ensure that our app, "Plant LA," would be grounded in and respectful of
the indigenous knowledge and perspectives associated with these native plants.
Table 1, Plant Parts and Uses
Source: Native Partners: Plants & People of California,
https://uploadsssl.webflow.com/59613419dcbd9b40dceb57a6/5b9a9f60f619331f6cd7dbe0_NPTeacherPkt.pdf.

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3.1.3 Implementation:
After conducting an in-depth survey on the indigenous plants of the Los Angeles area
(including research on user usage after a series of discussions), We picked green as the main
color for our app because when we think about plants, we think of the color green. Our main goal
for the user interface kit was to convey a sense of energy, warmth, and playfulness through the
design system, which green captures and embodies. The first step was to create the logo; Plant
LA’s goal was to make it easy for Angelenos to learn more about the indigenous plants of the
Los Angeles area through the app. I designed a series of native plant illustrations and icons; I
drew the most common native plants in Los Angeles.
This application was created to allow users to learn and obtain indigenous plant
knowledge. From the home page, the user can very clearly enter their current zip code or the zip
code of the area they want to learn about. The following page will display indigenous plants
according to the zip code entered. From the example picture below, users can tap on the specific
plant from the list to learn about the different attributes. On the next page, users can learn about
the plant, including a description of the plant and how the indigenous people used it.

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Fig 2, Plant LA Application User Interface 1
Fig 3,Plant LA Application User Interface 2

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Fig 4, Mesquite Icon Inspiration
Fig 5, Plant LA Application Icon Kit

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3.1.4 Results and Findings:
The "Plant LA" app, developed through extensive research with local Native groups,
fosters a deeper connection with nature and supports Indigenous communities. With a userfriendly design featuring a nature-inspired green palette, the app offers comprehensive botanical
information and respect for indigenous knowledge. Users can explore California's native plants,
learn about their traditional uses, and appreciate their cultural and ecological significance.
This educational tool promotes cross-cultural awareness and emphasizes the importance
of our relationship with nature. In conclusion, the Plant LA app contributes to the cause of
Aboriginal communities, encourages a deeper understanding of human-nature
interconnectedness, and serves as a platform for bridging cultural divides and promoting
knowledge through technology, going beyond land recognition policies.
3.2 Japan: Nature’s Impact on Culture and Society (book cover, REVIEW OF JAPANESE
CULTURE AND SOCIETY)
Under Prof. Miya Elise Desjardin’s leadership, I volunteered to put a more innovative
and fresher look into her book Review of Japanese Culture and Society while keeping the
original design.
3.2.1 Nature's Influence on Japanese Culture
Japanese people have long appreciated the presence of life in all aspects of nature—from
landscapes and climates that change seasonally to the plentiful freshwater found throughout the
country. Their reverence for natural life enables them to coexist with nature. As Japan is covered
with an abundance of trees. Trees have also influenced Japanese values. For example, since

27
ancient times, Japanese people have loved plum blossoms and cherry blossoms and appreciated
their ethereal beauty by creating poetry (waka, haiku) about them. They say that spending your
life looking for the perfect cherry blossom would not be a wasted life at all. And yet, to say that
the origin of Japanese values and culture lies in Japanese people's close relationship with nature
would not be an overstatement.
In this project, I explore how nature intertwines with Japanese culture, shaping society
and influencing their daily life. I look into historical, traditional, and contemporary viewpoints to
unveil the profound connections between Japanese people and their natural environment. The
partnership with Prof. Miya Elise Desjardin has provided invaluable resources and expertise,
enabling a deeper understanding of Japan's intricate relationship with nature.
3.2.2 Inspired by the Reverence for Nature in Japan
The Japanese people behold nature as sacred; they believe that nature is a god. In their
eyes, nature is pure and cannot be polluted or destroyed. Every natural product has its meaning.
Cherry blossoms encompass a multitude of interpretations. Foremost among them is the transient
nature of life. These blossoms, resplendent in their full bloom, possess a fleeting existence,
falling and withering within a few weeks. The symbolism encapsulated by the cherry blossom is
intriguingly paradoxical because it embodies both life and death-beauty and the passage of time.
Just as the advent of spring marks the rebirth of life, the bloom of the cherry blossom infuses
vitality into its surroundings. Simultaneously, its brief lifespan is a poignant reminder of life's
transitory nature.

28
Fig 6, Cherry Blossom, https://www.gardenia.net/guide/late-season-flowering-cherry-trees-for-your-garden.
3.2.3 Designing the Essence of Japan: Exploring REVIEW OF JAPANESE CULTURE AND
SOCIETY in Book Layout
I explored significant natural elements that resonate with Japan's essence. In order to
design a book cover, I took inspiration from the Koi fish, whose presence evokes tranquility and
harmony within Asian gardens. My recollections of Koi fish summon images of good fortune
and embody a profound spiritual message — one of fortitude and unwavering determination to
navigate life's hurdles and forge ahead. This symbolic representation is amplified by the practice
of Japanese students carrying Koi cards to invite good luck during exams. Moreover, in Japanese
culture, Koi fish stand as an emblem of societal progress, particularly within the dynamic
landscape of the 21st century.

29
Fig 7, Koi Fish, https://www.hepper.com/how-big-can-koi-fish-get/.
I opted for the Takehisa Yumeji（(1884-1934) color palette for the color selection
segment. This scheme's gentle and refined hues harmonize with my perception of Japan's
essence. Takehisa Yumeji (1884-1934) was a renowned Japanese artist and poet known for his
distinctive contributions to Nihonga and Shin-hanga art movements. His work, characterized by
elegant portrayals of women and nature, remains influential in Japanese art and design.

30
Fig 8, Yumeji Takehisa Color Scheme Palette from Color Scheme Idea Handbook: Beautiful Japanese Colors and Words23 1
Fig 9, Color Scheme Idea Handbook: Beautiful Japanese Colors and Words 2
23 桜井輝⼦, 配⾊アイデア⼿帖⽇本の美しい⾊と⾔葉 (SB クリエイティブ, 2018),18.

31
Fig 10, Book cover layout design for RJCS 1 Fig 11, Book cover layout design for RJCS 2
Fig 12, Book Cover Design for Review of Japanese Culture and Society

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3.3 Nature Outside In: Material Exploration of Mulberry Bark
3.3.1 Rooted in Heritage: A Glimpse of Hualien's Richness
Indigenous people in Taiwan have nurtured an intricate bond with nature, viewing it as a
harmonious realm where ocean, streams, earth, sky, and humanity coexist. This deep connection
has shaped their customs, beliefs, and survival strategies, underscoring the profound influence of
the environment on their cultural identity. As nature's stewards, they've lived in symbiosis with
their surroundings, a testament to the enduring interplay between humanity and the natural
world.
Nestled in eastern Taiwan, Hualien boasts an awe-inspiring and untamed landscape that
mirrors the diverse indigenous cultures it hosts. Drawn by curiosity, I embarked on a journey to
understand the indigenous ways of life. Childhood visits to an aboriginal tribal park introduced
me to the captivating realm of native traditions, accompanied by tantalizing flavors such as
bamboo-tube rice and slate-roasted wild boar. The intricate art of traditional weaving, observed
firsthand, left an indelible mark on my artistic sensibilities. The mastery of Ramie fiber and the
revelation of paper mulberry fiber's versatility ignited a fervor to reinterpret these age-old
techniques in my own creative pursuits.
3.3.2 Beneath the Surface: Unveiling Paper Mulberry Fiber's Allure
Delving into indigenous craftsmanship, I uncovered the meticulous process of extracting
paper mulberry fiber from tree bark. The intricate dance of soaking, scraping, beating, and
cleansing transforms humble bark into a pliable and expressive material. Embracing paper
mulberry fiber as my artistic medium, I am driven by its distinctive texture and deep-rooted

33
significance within Taiwanese indigenous communities. This project is my tribute to the
indigenous people’s way of life, examining how they incorporate nature into their daily lives.
Fig 13, The Process of Making Paper Mulberry Fiber
Infused with generations of wisdom, paper mulberry fiber reflects the indigenous
heritage's respect for the natural world. By weaving this organic material into my creations, I
strive to perpetuate the profound connection indigenous Taiwanese have cultivated for centuries.
Through my artistic expressions, I aspire to evoke a sense of reverence and gratitude for the
environment, underscoring its role as a delicate yet resilient tapestry of life.
3.3.3 Installation
Using paper mulberry tree fibers as a creative medium and the paper mulberry tree as a
metaphor and medium to describe the symbiosis between the indigenous people and the

34
environment, I explore the theme of bringing nature indoors. Incorporating the installations,
which have dimensions of 78" x 19" x 23", I plan to bring nature indoors, as visitors will be
stepping into a place to connect with nature and find peace.
The artwork emphasizes our symbiotic link with nature and represents the coexistence of
Aboriginal culture and the natural world. We can gain a greater understanding of the force of
nature and question how can we preserve this lovely place by using the tree as the medium. This
piece intends to arouse awe and respect for nature while motivating us to cooperate in protecting
the earth's health.
Fig 14, "Nature Outside In" Installation 1

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Fig 15, "Nature Outside In" Installation 2
Fig 16, "Nature Outside In" Installation 3

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Fig 17, "Nature Outside In" Installation 4
Fig 18, "Nature Outside In" Installation 5

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Fig 19, Paper Mulberry Fiber Detail
3.3.4 Conclusion
Paper mulberry fiber ignites my imagination, its tactile allure empowers me to
experiment with textures, hues, and forms, breathing life into my artistic endeavors. This
versatile medium becomes a vehicle for dialogue, fostering appreciation and understanding
between individuals and the Earth.
The balance between art and nature the exploration of paper mulberry fiber addresses
cultural legacy, creative expression, and environmental awareness. It echoes the ethos of
indigenous communities, weaving threads of continuity that span through generations. As my
creative process merges with the enduring spirit of Taiwan's indigenous peoples, it serves as a

38
testament to the profound impact nature exerts on culture, heritage, and the art that binds them
together.
3.4 The Wolf Tree: Exploring the Oak’s Ecosystem, Arlington Garden
3.4.1 What is a Wolf Tree?
What is the first thing that comes to mind when you hear of a wolf tree? Would you
assume that this meant the tree resembled a wolf in one way or another? Or that perhaps it’s
often used as a source of shelter for roaming wolves?
In reality, a wolf tree is simply a tree that is much older–sometimes 100-200 years older–
than the surrounding trees in the area. It has low-lying branches that spread wide in all directions.
The terminology is thought to have originated from foresters in the late 1900s who believed that
these old, massive trees were devouring too much space and sunlight; as a result, they were often
eliminated from the landscape, similar to the wolves that were being hunted down for consuming
too many forest resources. Trees with higher market value were planted in their place.
3.4.2 The Ecosystem of The Oak
"Oak trees are one of our region's most important native tree species,
supporting entire ecosystems- many that are now under severe threat. When
oaks disappear, it produces a tragic domino effect - as the oaks go, so do the
birds, animals, and plants that need oaks to survive.”
- Lydia Scott, Director of Chicago Region Trees Initiative

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Oak trees are a type of deciduous trees that are native to North America. They are
hardwood trees that can grow over 100 feet tall. The oak tree is known for its strong wood and its
acorns. The oak tree is important in the oak savanna ecosystem. Oak trees are a keystone species,
meaning they are trees that entire ecosystems depend on for survival and habitat. According to
CRTI, oak acorns provide food for more than 100 vertebrate species of wildlife, and an oak
tree’s massive trunk and branches provide shelter for many birds and mammal species.
3.4.3 DOCUMENTING THE DEATH (Removal)
The Coast Live Oak at Arlington Garden, situated at Arlington Drive and S. Pasadena
Blvd intersection, has long been a distinctive presence for hundreds of years. Though not
towering in height, this oak's unusually broad-limbed silhouette captivated onlookers.
Regrettably, many have witnessed its abrupt and sorrowful decline as its once-vibrant green
foliage transformed into an ashen hue overnight. Seeking answers, Arlington sought the aid of a
team of tree experts, including an entomologist, who have reached a consensus: the oak is
deceased or near the point of no return. This decline is believed to have been caused by a soil
pathogen that weakened the tree, making it susceptible to devastating harm from bark-boring
insects. Unfortunately, recovery is not possible. Recognizing that the tree serves as a vector for
pests and diseases, as well as a potential threat to an even larger oak on the garden's opposite
side, a tree service has been scheduled to remove it on May 16, 2023.
Angel City Lumber will meticulously treat the wood to eradicate pests and pathogens,
ensuring its safe return to the site and perpetuating the cycle.

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3.4.4 Oak Tree Removal Process
The arborist utilized the neighboring coconut tree as support, carefully securing the
branches to be cut. This ensured that when the branches were severed, they wouldn't fall directly
to the ground. The coconut tree served as a stabilizing structure, allowing the branches to be
repositioned safely and minimizing potential hazards.
Fig 20, Oak Tree Removal Process 1

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Fig 21, Oak Tree Removal Process 2
After removing the branches individually, the arborist tackles the thickest and most timeconsuming trunks.
Fig 22, Oak Tree Removal Process 3

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Fig 23, Oak Tree Removal Process 4
In figure 23 photo, we see an arborist cutting the main trunk of an oak tree. It's a sad sight
that tugs at my heart. The arborist works carefully, but it is hard not to feel sorry for the tree. It
was once strong and beautiful, but now it is being cut down. It reminds us that everything has its
time, and nothing lasts forever. The arborist's job is important, but it is a reminder of the balance
between progress and the loss of nature's beauty.
3.4.5 Rebirth: A Journey of Transformation
In the intimate exploration of the oak's ecosystem within Arlington Garden, the narrative
of the Wolf Tree unveils a poignant yet transformative journey. As I documented the intricate
process of oak tree removal, I witnessed the intersection of preservation and progress, where the
symbiotic relationship between nature and human stewardship unfurled. The Wolf Tree's

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graceful departure from the garden's landscape echoes the inevitability of change, reminding us
that even as majestic oaks may be felled, their legacy continues through the cycles they nourish.
By overseeing the oak tree removal process, I gained a profound appreciation for the
intricate web of life interwoven within the oak's branches. The captivating stories of birds,
insects, and countless microorganisms that found sanctuary among its limbs serve as a testament
to the ecosystem's interconnectedness. The oak's grandeur extends beyond its towering form; it
resides within the intricate tapestry of relationships nurtured over its lifetime.
As the Wolf Tree makes its exit, a new chapter unfolds, the giant trunks of oak trees are
taken back to the factory by Angel City Lumber, and their work is to retain the worth of the
wood and the spirit of a living part of our city. Through the humble work of milling, the
utilizable parts of the oak tree are made into an outdoor dining table. After talking to the
Arlington Garden executive director Michelle Ann Matthews, I heard that the park would use
this outdoor dining table made of oak trees to place in the corner of the garden through the
design of the promotion of sustainability to create cohesion in the community. They seek to reset
a sense of connected reverence for the sublime beauty of the living world and echo the eternal
rhythm of nature's cycle. My documentation captures the oak's physical transformation and the
emotions it evokes—a bittersweet departure that encapsulates the essence of Arlington Garden's
ever-evolving narrative. Amidst this transition, the spirit of the oak lives on, imprinted in the
memories of those who walked in its shade and in the intricate threads of the ecosystem it once
fostered.
The exploration of the Wolf Tree within Arlington Garden reverberates as a reminder of
our role as custodians of nature's legacy. As I honor the past, document the present, and envision

44
the future, my journey becomes a tribute to the resilience of the oak and a testament to the
intricate dance between preservation, progress, and the enduring spirit of the natural world.
Fig 24, The main trunk of a felled oak tree
3.4.6 Documenting the Oak Removal Extension Project: Oak Tree Life Cycle Booklet/
Installation
As I stood in that garden, contemplating the culmination of documenting the oak tree
removal. I looked at the discarded tree limbs and tried to think of ways to give meaning to these
fallen oak trees. Since I had witnessed the tree's removal, I was inspired to document the tree's
entire lifespan as an act of remembrance.
My project's goal is to illustrate the entire life cycle of an oak tree, from its inception as
an acorn through its development into a tree with leaves and branches to its eventual decline due
to illness or old age. This is a celebration of the oak tree's life.

45
Oak tree branches, cotton threads, and handmade paper were used for this presentation.
The handmade paper was ideal because each page feels alive with its texture, quality, and
pleasant tactile sense. Each page is 6 by 4 inches in the booklet I made. There are a total of 10
pages including the front and back cover, and each page has a printout of an illustration I drew of
the life cycle of an oak tree. The pages are linked together by twigs and branches and fold
accordion style.
To show my appreciation for the oak tree, I incorporated natural oak tree branches into
this work. The natural environment provides us with beauty and life, and this project is a call to
action to conserve and preserve it. By using genuine oak tree branches as the pillars of this
artwork brings back value to these branches that once hung majestically high up in the air. These
fallen branches then act as a reminder that even though they may just be dead branches now, they
were once a part of something beautiful. And now even though they have fallen, they can still be
made into something beautiful.
Fig 25, Page layout illustration

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Fig 26, Oak Tree Life Cycle Booklet/ Installation
The unfolded dimensions of the piece are 21" x 55" x 0.5", allowing viewers to appreciate the
artwork's size and scale.
Fig 27, Oak Tree Life Cycle Booklet Cover

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Fig 28, Close-up of the inside page
Fig 29, Details on Booklet and binding format

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3.4.7 Preserving Nature's Legacy: The Oak Tree Removal Project Digital Archive
Fig 30, UI Mockup
I am currently developing The Oak Tree Removal Project digital archive website.
Content on the website ranges from images and videos taken during the eradication process to
descriptions of each stage. I include several articles about oak trees, including their ecological
value and preservation activities. This website's layout is inspired by the Newspaper format
(traditionally, newspaper is made from trees), and it features a variety of original illustrations and
animations to make the content interesting and easier to understand.
The website, available to a wide audience, encourages learning about environmental
protection efforts and aims to educate and inspire activism.

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Fig 31, Home page

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3.4.8 Nature Journal: Archive My Exploration of Nature
I kept a journal recording my everyday interactions with nature. In this project, I've
turned to painting to express feelings that are hard to put into words.
Acrylic paints allow me to create depth and texture on the canvas, while the transparency of
watercolors allows me to capture the nuances and flux of the natural world. I use these materials
on canvases that are 144 x 6 inches in full-length that can be rolled like a scroll.
Working on this project has helped me appreciate the great outdoors even more. By
purposefully incorporating myself into nature as I worked on these paintings, I was able to see in
detail just how mystical nature’s beauty is. For the time being, nature was my teacher as each
unique scenery was a piece of art– each scenery had its unique color palette, which invoked
different emotions in me as I painted.
Fig 32, Nature Journal 1

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Fig 33, Nature Journal 2
Fig 34, Nature Journal 3

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Chapter 4: Conclusion
"Reconnecting with Nature" is a manifesto for a future in which nature is inseparable
from our lives. My work beckons us to infuse nature-based design into the essence of urban
planning, architecture, and the pursuit of holistic well-being. As a designer, researcher, and
advocate for nature, I not only find solace in nature's embrace, but I also see nature as an
irreplaceable connection that sustains us as individuals and as a global community. I hope my
work serves as an invitation and reminder to appreciate and take the time to understand the
natural world.
"Reconnecting with Nature" examines the intricate interplay between human well-being
and the natural world. As I observe the use of digital landscape as an artistic medium, I see the
influence nature has on an individual’s health and also the role that nature plays in a designer’s
creativity. For this project, rather than just being in nature I inserted myself into nature
intentionally. This allowed me to see in detail the beauty that nature has to offer.
I have gained insight from the projects I completed. Studying indigenous knowledge,
working with my hands, observing and recording nature as well as designing a digital platform to
share some of the research I compiled, all redefined my relationship with nature.
Using mulberry paper fibers to weave a large tree Installation it embodies the harmonious
interaction of human innovation and the raw beauty of nature. The stories of the majestic oaks
are metaphors for the fragile balance between progress and preservation. They remind me that
even as modernization happens, we must have an unwavering reverence for the ecosystems that
sustain me. Thus, recording it becomes an act of remembrance of the stories silently engraved in
the annual rings of these ancient trees. Considering the crucial role that nature plaiys in an artist's

53
work, I will continue to draw inspiration from nature for my future projects. I hope to foster a
profound reconnection between people and nature through my art, inspiring a renewed
appreciation for the world around us and the urgent need to protect it.

54
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56
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Museum.” Medium, July 15, 2022. https://medium.com/@shaopeng.wanders/exhibitiona-stroll-through-takehisa-yumejis-world-of-beauty-at-the-beitou-museum-857523647b9.

Abstract (if available)

Abstract The recent pandemic lockdowns and social distancing measures have exacerbated loneliness and social isolation among the general population, resulting in both mental and physical public health concerns. In addition, the constant use of technology has kept us at home with our computers and not interacting with nature. Research indicates that the feeling of connectedness to nature is a better predictor of health and well-being than the mere number of social contacts. Nature has a positive effect on one’s mental well-being, and the advantages of interacting with nature are numerous:

• Improvement of mood and positive emotions (like awe)
• Restoration of attention
• Enhanced feelings of social support
• Reduction of feelings of loneliness

Self-isolation impacts one’s mental well-being by prohibiting the restorative healing that nature can provide. As a designer, when I relate to or feel connected to nature, I am happier, more in touch with the world, and have an increased sense of creativity.

The pursuit of reconnecting with nature is a prominent theme in my thesis design work. Through my explorations, I aim to develop an awareness of how nature can profoundly affect our lives. Beyond the technical and psychological benefits of being in nature, the presence of the biological world lifts our spirits and nourishes our souls. My work seeks ways to reconnect individuals with the tangible aspects of the natural environment.

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Asset Metadata

Creator Yeh, Haiwei (author)

Core Title Reconnecting with nature

School Roski School of Art and Design

Degree Master of Fine Arts

Degree Program Design

Degree Conferral Date 2023-12

Publication Date 12/04/2023

Defense Date 11/14/2023

Publisher Los Angeles, California (original), University of Southern California (original), University of Southern California. Libraries (digital)

Tag biomimicry,connectedness,digital nature,Loneliness,nature-based design,OAI-PMH Harvest,wellbeing

Format theses (aat)

Language English

Contributor Electronically uploaded by the author (provenance)

Advisor Wojciak, Ewa (committee chair), Burruss, Laurie (committee member), Greiman, April (committee member), Mueller, Thomas (committee member)

Creator Email haiweiye@usc.edu,jojohy1020@gmail.com

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