Close
The page header's logo
About
FAQ
Home
Collections
Login
USC Login
Register
0
Selected 
Invert selection
Deselect all
Deselect all
 Click here to refresh results
 Click here to refresh results
USC
/
Digital Library
/
University of Southern California Dissertations and Theses
/
Nine musical compositions: 10,000 hours, Blessing, How it will go, A reminder, Running in church, San Gabriel agonistes, Snow White turns sixty, Tribute, ...the whole sea in motion
/
How it will go
(USC Thesis Other) 

How it will go

doctype icon
play button
PDF
 Download
 Share
 Open document
 Flip pages
 More
 Download a page range
 Download transcript
Copy asset link
Request this asset
Transcript (if available)
Content 





Violin I
Violin II
Viola
Violoncello
Tentatively at first, then gaining confidence; q = ca. 80
poco accel. rit.
poco accel.
ppp
pizz.
Vln. I
Vln. II
Vla.
Vc.
Maniacally cheerful; q = ca. 120
6
pizz.
pp
pizz.
pp
poco
pp
© 2009 Dale T rumbore
www.daletrumbore.com
Vln. I
Vln. II
Vla.
Vc.
p
10
p
p
p









    
Dale Trumbore
How it will go

    
     

*

   

 
  


 
 

*

*

* Gliss. to the note in parentheses, but do not play it



 


  





 



 




 





 


 



  


 

 




 


 



 
 
 

 
 




 

  



  






  
 



    

    

  
 



 










 



 




 
 






  


 

 




 


 



 
 




 



 


 

 
 
 

 
 




 

  

 
 




  







   

    

   







Vln. I
Vln. II
Vla.
Vc.
f
14
f
f
f
Vln. I
Vln. II
Vla.
Vc.
p mp
18
p mp
p mp
p mp
Vln. I
Vln. II
Vla.
Vc.
pizz.
mp
arco.
pizz.
pp
22
mp
pp
mp
pp
mp pp

How it will go
      -  2  -







 


  




   










  





  










 







 
 







 
 





  







 
 


 



 
 




 



 


 
 
 


  

 


 


   



  

   


 



 
 



  


 



 










 



 











 


 

 


 

 


 

 
 



  


 

 




 


 



 


  
 







 
 

 
 
 

 
 




 

  


 



 













 

 
 
 

 
 



 
  




 











 






 
 







 
 



 

  







 
 


 



 
 




 



 


 
 
 


  

   


   



  

   


 



 
 



  








Vln. I
Vln. II
Vla.
Vc.
arco.
mp mf
26
mp
arco.
mf
mp
arco.
mf
mp
mf
arco.
Vln. I
Vln. II
Vla.
Vc.
sfzpp mp
mf p
31
sfzpp mp mf p
mf mf
p
p mp mf p
Vln. I
Vln. II
Vla.
Vc.
f pp
36
f
pp
f pp
f pp

 
How it will go
      -  3  -



 






sul pont.,
molto ord.


sul pont.,
molto
ord.



3
3

3
3
3








3 
3


 











 


  



 
  

 

 

 


 

 


 

 
  

 

  




  


 

 

 

 


  
  
 
 
  


 

 



 









 
 

 

 
 



  







 



  


 








 







  











 
 
  
 

 

 
 

 
 

 








  


 
  

  




 

 





 



 



  



 

 
  


 







 



 

 

  
 
  



  


 


 


 








Vln. I
Vln. II
Vla.
Vc.
f p
mf
p
pizz. 40
f
p
mf
pizz.
p
f
p mf
pizz.
p
f p
mf
pizz.
p
Vln. I
Vln. II
Vla.
Vc.
mf pp pp
44
mf pp
mf
pp
mf pp
Vln. I
Vln. II
Vla.
Vc.
f
mp
arco.
f
48
f
mp f
p
f
mp
f
p
mp f


How it will go
      -  4  -

subito







*
(pluck on
each note)



 



(pluck on
each note) 



sul pont.






 

* Gliss. to the note in parentheses, but do not play it

  
 


 
 









 



 


 
   


 

  


 








  
 
 


 
 
 

 

 
 

 




 


 


 


 

 
 

 
 


 









 




  





  



  




 
 




 


 
 




  
 

 

  







 





 

  




 
 




 



 


 

 
 

 


 

 
 


 
 





 




 




 



 


 




 










 







 

  


 

 

 



 



 







 


 

 
 


 

 



 
 

 

 

 


   


 


 
  

 
 
 

 
 

 



  

  
   
  






 

 
 

 






Vln. I
Vln. II
Vla.
Vc.
mp
mf f p
rubato A tempo
52
arco.
mp
p
mp
f
p
arco.
mp
f p
Vln. I
Vln. II
Vla.
Vc.
p
n
56
pp
pizz. arco.
mp
pp
pizz.
p
Vln. I
Vln. II
Vla.
Vc.
p
mf
60
pizz.
mf
arco.
mp mf
mp
mf

ord.

3
How it will go
      -  5  -
subito
3

subito

subito

subito

3









 




   
 
 
 
 


  


  
 

 


 

 
 

 



 





 
 




 


 
  
 

 


 




 
 


 
 

 
 


 
 







 


  



 






 






 


 









 




 
  
 
 


  
 


 

 












  


 
  
 
 



  



  


 



 
 
  


 


  





 


  


  



 





  





 




 


 










 

 




 

 



 

 


 
 











 




 

 






Vln. I
Vln. II
Vla.
Vc.
pizz.
mp
65
pizz.
mp
mp
arco.
mp
Vln. I
Vln. II
Vla.
Vc.
69
pizz.
Vln. I
Vln. II
Vla.
Vc.
mf mp
f
arco.
mf
72
mf
mp f
mp
mf
mp
f
mp
arco.
mf
pizz.
arco.
mp
f
pizz.
mp

How it will go
      -  6  -










 


 












 

 
  
 
  
  




 
  





 
 
 


  
 


  
 

 
 
 



 









 

 

 
 



 



 
 





 
 


 










 
 

 

 
 
 

 
 

  


   

 



 





 






 
 
 



 
 


 


 

 


 
 


  
 



 
 

   









 




 

 
 
 



 


 


  



 




 
 


 

 

 



 

 
 


 

   



 
 

 

 

   


 



 



 
 



 


 
  
 



 
  



 





 


 


 
 



 
 








 







Vln. I
Vln. II
Vla.
Vc.
mp
pp
molto rit. molto accel.
76
p
mf
p
arco.
mf
pp
Vln. I
Vln. II
Vla.
Vc.
mf
mp
pizz.
Overeager, almost rushing; q = ca. 136
80
mp
arco.
mp
Vln. I
Vln. II
Vla.
Vc.
mf
arco. pizz. arco.
pizz. arco.
84
mf
f
mf

How it will go
      -  7  -



 






sul tasto (ord.)





 



 










  



   
 

  


 

 
 



 
  












 


 
 



 


 
  

 
 




 










 
 

   
  

     
   



  

 
  
 


 






 



 











 









 
 




  





 

 



  









   
  
 
 





  
 

 
 

 





 









 










 



 







 
 






 





 


 










   




  

 


 










   
  
 
 





  
 

 
 

 





 









 











 







 












Vln. I
Vln. II
Vla.
Vc.
p
q = ca. 112
poco accel.
88
p
p
p
Vln. I
Vln. II
Vla.
Vc.
mf
poco rit.
q = ca. 112
92
mf
mf
mf
Vln. I
Vln. II
Vla.
Vc.
f
p
accel.
q = ca. 120 97
f
p
f
p
f
arco.
p

How it will go
      -  8  -
3


sul pont.

ord.
3

3

sul pont.

ord.

3



3

3


















3
 




 
  

 
   


 
 


 
 





 






 



  
 
   





  



 



 
 
 
 



 
 
 





   
 
 
  


 




 
  

  

    
   


 

 
 


  






  

 





 

 





 




  


 
 



 
 



 
   

  

  
   




   
  

 


  


 
  
 



  

 


 





 

  


  


 


 

  

 
 

 






Vln. I
Vln. II
Vla.
Vc.
mf
p
mf
Brightly
101
mf
p
mf
mf
p
mf
mf
p
mf
Vln. I
Vln. II
Vla.
Vc.
104
Vln. I
Vln. II
Vla.
Vc.
107











How it will go
      -  9  -






  








3
3
3
3
3




  





 
   
 
 


 
 
 
 
 
   
  


 








  
 
 

 

  





 

 
  


 


 

  
 
 
  
 


  









 
 





 
  
 
 
 

 
 





 
 
 
  

 


 




 







 



 

   



 




 
 




  


 








 

 


  


 
 
   
  
 

 

   



 



 
 








 
 





 




  






 



 
 

     


 




  
 


 









Vln. I
Vln. II
Vla.
Vc.
110
Vln. I
Vln. II
Vla.
Vc.
f
113
f
f
f
Vln. I
Vln. II
Vla.
Vc.
116

How it will go
     -  10  -



 

 
3








3 3
3




 
3
3
3
3
3
3 3

sul pont. ord.

  
 


 
 

 

 

  

  
   
 

 

 


 
 





 
 
 





 





 
 







 
 

  




 


 


 
  

 





 
 





 
  
 
 
 






  
 
 
 
  

 



 







 




 










 
 

     


 


 

    






 

 
 

 
 





  


 
 





 

   



 
 

 
  
 
 
 
 
  
 
 



  





 




 

 




 




 


 

 

 






Vln. I
Vln. II
Vla.
Vc.
119
Vln. I
Vln. II
Vla.
Vc.
ff
mf
122
ff
mf
ff
mf
ff
mp
pizz. arco.
Vln. I
Vln. II
Vla.
Vc.
pp
molto rit.
127
pp
pp
pizz.
mf pp









































How it will go
     -  11  -



 

 
   
3 3 3
3
3

sul pont. ord.


















 
 
  
 


   
 


 
 

 

   



   
 
 

 


  


  


 
 



  








  


 
 


  











 









 

  


   




 



   


 
 





 
 


 



 



 
 







 
 

 
    
 
 


 
 
  






 
 
 



  

 
 


 



 





  























 

 
 

 
    
 
 
  
 


 




   







 

 



















 


 
 








Vln. I
Vln. II
Vla.
Vc.
mf
f
p
Tentative again; q = ca. 80
rit.
With confidence; q = ca. 120
132
mf
f p
mf
f p
ppp
p
arco.
mf
f
arco.
p
Vln. I
Vln. II
Vla.
Vc.
f mp f
136
f mp f
f mp
f
f mp
f
Vln. I
Vln. II
Vla.
Vc.
140
pizz.
arco.
pizz.
arco.










How it will go
     -  12  -




3




 

 















  








3



 



  




sul pont. ord.

3
    


 


 


 

   








  
   














 


  






 





















  


 


 



 

 
 



   

 
 

 

 


  

 
 
   

 
    


 



 





 
  
 
 
 




 

 
 

 
 

 


 


 

  
 
 
  
 



 
 
 
 
 










 


 


 
  





 



 


  


  

 









 


   


 


 










 

 

 
  
 
 
 
 
 
  

 
 
 
   
 
 
 
 
 
 








Vln. I
Vln. II
Vla.
Vc.
rit.
144
Vln. I
Vln. II
Vla.
Vc.
ff
Almost melodramatic; q = ca. 96
147
ff
ff
ff
Vln. I
Vln. II
Vla.
Vc.
mp
More subdued; q = ca. 120
150
mp
p mp
mp









































How it will go
     -  13  -

  


3
3






 
(poco rubato)
3


 (poco rubato)

3  
(poco rubato)



(poco rubato)

 

   
 
  

 
     





 

 

 

  



 
  
     

  
  
  
 

 
 



 
  


 


 
 
   

 

 
 


 
 


  












 


 



 








 
  


 




   





  


 

 

 





 


  

 

 


 

     




  

 






 

 
 


  
  


  
 








Vln. I
Vln. II
Vla.
Vc.
p
(A tempo; q = 120)
poco rall.
156
pizz.
p
pizz.
p
pizz.
p
Vln. I
Vln. II
Vla.
Vc.
Winding down; q = ca. 90 poco rit.
160
Vln. I
Vln. II
Vla.
Vc.
(Gradually coming to a complete stop)
poco accel. poco rit.
164
ppp
ppp
ppp

How it will go
     -  14  -






poco a





   









 


 

 




 

 
 


 
 


 



 



 
 



 

 
 


 
  






 


 
 




  
 




   



 


 


 





  

  


 



 


 

   

  
 


  
 

   

    

 
 


  













 

 






 




 


  

 





 


 








 



 

 






 

   

  



 
 




  







 





 



 

 









 

  


 
 

  
 

 




  

 


  




   



  




 



  




    

 
Asset Metadata
Creator Trumbore, Dale Catherine (author) 
Core Title How it will go 
Contributor Electronically uploaded by the Library (provenance) 
School Thornton School of Music 
Degree Master of Music 
Degree Program Composition 
Degree Conferral Date 2011-05 
Publication Date 05/19/2011 
Publisher University of Southern California (original), University of Southern California. Libraries (digital) 
Tag choral,Composition,concerto,OAI-PMH Harvest,Songs 
Format 14 pages (extent) 
Advisor Crockett, Donald (committee chair),  Hartke, Stephen (committee member),  Lauridsen, Morten (committee member) 
Creator Email dale.trumbore@gmail.com,trumbore@usc.edu 
Permanent Link (DOI) https://doi.org/10.25549/usctheses-c127-15585 
Unique identifier UC1106825 
Identifier usctheses-c127-15585 (legacy record id) 
Legacy Identifier etd-trumbore-HowIt 
Dmrecord 15585 
Document Type Portfolio 
Format 14 pages (extent) 
Rights Trumbore, Dale Catherine 
Internet Media Type application/pdf 
Type texts
Source University of Southern California (contributing entity), University of Southern California Dissertations and Theses (collection) 
Repository Name Libraries, University of Southern California
Repository Location Los Angeles, California
Repository Email uscdl@usc.edu
Abstract (if available)
Abstract How it will go: for string quartet 
Tags
choral
concerto
Linked assets
Nine musical compositions: 10,000 hours, Blessing, How it will go, A reminder, Running in church, San Gabriel agonistes, Snow White turns sixty, Tribute, ...the whole sea in motion
doctype icon
Nine musical compositions: 10,000 hours, Blessing, How it will go, A reminder, Running in church, San Gabriel agonistes, Snow White turns sixty, Tribute, ...the whole sea in motion 
Action button