Drawing of Mission San Miguel Arcangel, by Henry Chapman Ford, ca.1883

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Description

Photograph of a drawing of Mission San Miguel Arcangel, by Henry Chapman Ford, ca.1883. The mission consists of consists of the church building (the main building) where attached to it is a long arcade. A smaller building is visible in the back of the church. Three bulls (or cows?) graze in the grassy area in front of the mission. Ruins of a wall creates are visible in the foreground.; "On July 25, 1797, Mission San Miguel Arcángel was founded in a fine valley near the juncture of the Salinas and Nacimiento Rivers. The spot was chosen, also, because it could be a stopping place halfway between the San Luis Obispo and San Antonio Missions. These Native Americans already knew about mission activities in the adjoining areas, and great numbers came to welcome the padres. Soon San Miguel was quite prosperous, despite poor soil and the excessively hot climate when compared to the coastal regions. Hundreds of Indians worked in the fields and vineyards, and as herdsmen. Others learned simple trades as carpenters, masons, blacksmiths, weavers, soap makers, leather workers, cooks and butchers. There were even native artists whose work has endured to this day. Without architect or engineer, the padres built a plain, rectangular adobe church lacking a bell tower. Roof and ceiling beams had to be brought from mountains 40 miles away. Then Estevan Munras, of Monterey, came to San Miguel and taught a few Indians the art of fresco painting. They decorated the bare walls of the church with intricate designs, which are still clear, and have not been retouched. Originally Mission San Miguel controlled lands up and down the Salinas River for 50 miles, and operated a rancho at San Simeon, on the coast. Eventually all was taken over by Mexican, then American settlers. The last padre left San Miguel in 1840, and the buildings were soon sold. The monastery became a shopping center, including the most popular saloon on El Camino Real. What was left of San Miguel was taken back by the Church in 1878. The Franciscans returned in 1928. Since that time an amazing recovery has been made, the years of neglect erased. The monastery building, now a museum, is fronted by a colonnade of arches where visitors stand in the shade to look out to a famous cactus garden." -- unknown author, January 2002.

Asset Metadata

Title Drawing of Mission San Miguel Arcangel, by Henry Chapman Ford, ca.1883

Subject Missions -- Mission San Miguel Arcangel (file heading), Missions, Spanish (lcsh), religious facilities (adlf), San Miguel Arcangel Mission (subject)

Tags OAI-PMH Harvest

Place California (states), San Luis Obispo (counties), USA (countries)

Temporal Subject 1883

Type images

Format 2 photographs : glass photonegative, photoprint, b&w ; 21 x 26 cm. (aacr2), art (aat), glass plate negatives (format), photographic prints (aat), photographs (aat)

Source California Historical Society (contributing entity), California Historical Society Collection, 1860-1960 (collection), Title Insurance and Trust, and C.C. Pierce Photography Collection, 1860-1960 (subcollection)

Date Created 1883

Creator Ford, H.C. (artist), Pierce, C.C. (Charles C.), 1861-1946 (photographer)

Publisher University of Southern California. Libraries (digital)

Repository Email specol@lib.usc.edu

Repository Name USC Libraries Special Collections

Repository Location Doheny Memorial Library, Los Angeles, CA 90089-0189

Rights Public Domain. Please credit both “University of Southern California. Libraries” and “California Historical Society” as the source. Digitally reproduced by the USC Digital Library.

Copyright Public Domain. Please credit both “University of Southern California. Libraries” and “California Historical Society” as the source. Digitally reproduced by the USC Digital Library.

Access Conditions Send requests to address or e-mail given

Permanent Link (DOI) https://doi.org/10.25549/chs-m17479

Identifier 5750 (accession number), CHS-5750 (call number), CHS-5750 (filename), chs-m265 (legacy collection record id), chs-c65-17472 (legacy record id), chs-m17479 (legacy record id), USC-1-1-1-14093 (legacy record id), 1-142-28 (microfiche number), USC (project)

IIIF ID [Document.IIIFV3ID]

DM Record ID 17472

Unique identifier UC142565

Legacy Identifier CHS-5750.tiff

Type Image

Internet Media Type image/tiff

Resolution 17.0 in × 13.4 in at 300dpi
43.1 cm × 34.1 cm at 300dpi

Inherited Values

Title Title Insurance and Trust and C.C. Pierce Photography Collection 1860-1960

Description The nearly 15,000 unique photographs of this collection contain the work of C.C. Pierce which cover the Los Angeles region city, street and architectural views, California Missions, Southwestern Native Americans, and turn-of-century Nevada, Arizona, and California. Pierce, active from 1886 to 1940, was one of the leading photographers of his day and amassed a collection of 15,000 images, including his own and those bought and copied from his contemporaries, George Wharton James and Charles Puck. The James collection contains over 2,000 images of portraits, customs, ceremonies, arts, and games of various groups of Southwestern Native Americans.

Date Created 1860/1960

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