Music, image, gesture: The graphical score and the visual representation of music in cinema and digital media 

Technical And Fundamental Problems In The Performance Of Clarinet Solo Literature 

Daily Trojan, Vol. 30, No. 88, March 01, 1939 

The Concerto For Organ And Orchestra 

A comparison of improvements in sight reading pitch accuracy in beginning instrumentalists after treatment 

A study of creative class piano at fourth grade level 

Quantitative modeling of emotion perception in music 

Beethoven's re-uses of his own compositions, 1782-1826 

An analysis of Elliot Carter's Variations for Orchestra 

Adapting statistical learning for high risk scenarios 

The misunderstood maestro: The art of conducing, and why we don't get it 

The church music of Henry Purcell with special reference to its usefulness for performance in schools 

Copland's "Something Wild" and "Music for a Great City": From cinematic to symphonic narrative 

The development of the oboe in the Baroque era 

Art discourse, discourse in art (1960-1985). 

Orchestration for the microphone 

An investigation of compositional concepts and their implementation in Elliott Carter's Double Concerto 

Structural determinants in orchestration: An analytical investigation in the music of Ravel, Holst, Ligeti, Varese, Respighi, Feldman and Ellington 

The Negro idiom in American musical composition 

An analysis of the course content of the general music class in the junior high school 

Mozart's Viennese copyists 

Daily Trojan, Vol. 126, No. 43, November 01, 1995 

Beginning to Bach: Your first cello lessons with Marek Szpakiewicz 

The overtures of Hector Berlioz: A study in musical style 

Developing a listening program for use in the middle schools in Hong Kong