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On The Limits Of Not Being Scripted: Video-Making And Discursive Positioning In Coastal Southeast Sulawesi
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Rehearsals in the anthropology of performance and the performance of anthropology: Ritual, reflexivity, and healing in a dance by men challenging AIDS
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Conflict over the appropriation of Native American ritual by New Age participants
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We dance with them: Pueblo Indian embroidery
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Tracking Ida
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Hybrid networks and urban spaces in post-socialist Cuba
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Urban housing, surveillance, and party politics in Cuba
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Embodiment of text after conceptualism: Language and video in Fast trip, long drop (1993) and Cornered (1988)
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james-boyda-june29
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Dominick Argento's "A Toccata of Galuppi's": a critical analysis and its relationship to the text
Flights of the imagination: Black American travelers journey toward "Africa" in Ghana and Bahia, Brazil
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The body and its "thumbnails": the work of the image in mobile-imaging
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Se ve, se siente: transmedia mobilization in the Los Angeles immigrant rights movement
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Alternative art incubators: cultivating collaboration and innovation in Los Angeles public art practices
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Transnational film remakes: time, space, identity
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The placement and participation of gifted African American students in advanced academic services: a case study
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A cinema of anxiety: American experimental film in the realm of art (1965–75)
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Video camera technology in the digital age: Industry standards and the culture of videography
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Asian American media activism: past, present, and digital futures
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Beauty has a price: the global political economy of beauty among youth in Guadalajara, Jalisco, Mexico
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The globalization of cultural industries: Nollywood – the view from the South
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Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present
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