The Museum of Modern Art’s Cineprobe program and Essential Cinema at Anthology Film Archives: curating underground film 

Quasi-independent films: an adaptation of Chinese independent films 

Media elaboration in underground music 

The Chinese film industry's soft power implications 

Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema 

Classic films and our collective memory: the current status of preservation and availability 

Sound-on-film: John Cage and avant-garde cinema 

A cinema of anxiety: American experimental film in the realm of art (1965–75) 

When representation isn't enough: calling for Indian multiplicity in Hollywood films 

Tacit anticipation among film students: an ethnography of making movies in film school 

The influence of new media marketing public relations on the South Korean film industry -- in relation to the U.S. film industry 

A cinema under the palms: the unruly lives of colonial educational films in British Malaya 

On the structure of English subtitles in select German films 

Transnational film remakes: time, space, identity 

Shadows of stardom: Latina actresses in the 1930's Hollywood produced Spanish language films 

Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule 

That's just what this country needs: another film that's a flop at the flicks: a PR perspective on the success of home-grown films at the Australian box office 

The revisionist West: placing the postwar American avant-garde 

Declarations of independence: film and the American mythology 

Misunderstood films from the 90's - 00's 

Comic venus: women and comedy in American silent film 

Noise & silence: underground music and resistance in the People's Republic of China 

In a state of exception: political subjecthood in European film, 1990-2008 

The film industry and urban development in metropolitan Los Angeles, 1920-1975 

Kenneth Anger & Melbourne