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A Critical Study Of The Filmmaking Style Of Milos Forman With Special Emphasis On His Contribution To Film Comedy
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Theatrical realism: An American film style of the fifties.
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Jacques Prevert: Poetic elements in his scripts and cinematic elements in his poetry
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Francois [sic] Truffaut and the Politique des Auteurs
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The childhood-community interface in four Francois Truffaut films
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The passionate observer: Martin Scorcese
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Narrative structure and the specular function in Nicholas Roeg's 'Walkabout' and 'Bad Timing/A Sensual Obsession'
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Politics and the primal eye: Four films by Werner Herzog
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The films of Jacques Tati
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EAffuso-Dissertation-Final
Of worlds and avatars: a playercentric approach to videogames
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Jean Painlevé's cinematic wildlife, 1924-1946
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Declarations of independence: film and the American mythology
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How to suppress women’s filmmaking
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The exquisite corpse: disarticulations of the artificial female
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The joy of censorship: strategies of circumvention in novel and film
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Georges Delerue in Hollywood: the film composer's legacy, as seen through his final chapter
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Transnational film remakes: time, space, identity
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Certain tendencies in Canadian cinema: temporary insanity and the national tax-shelter masquerade
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Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine
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A description and examination of the production of The exiles: a film of the actual lives of a group of young American Indians
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Classic films and our collective memory: the current status of preservation and availability
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Eat me: cannibalism and melancholia
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At least half the picture: sound and narration in the postwar / pre-Dolby American film
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