Image breakers, image makers: producing race, America, and television
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Women showrunners: authorship, identity and representation in US television
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Producing lesbianism: television, niche marketing, and sexuality in the 21st century
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Art on television: 1967-1976
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The virtual big sister: television and technology in girls' media
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Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II
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Marching bands in television and popular culture: the USC Trojan Marching Band  appears on “Glee”
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Voices of struggle: Women and Korean television
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Televising Toronto from Hogtown to megacity
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Producing (queer) communities: The politics of public access cable television
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Leaky bodies:  Epidemic disease in contemporary American television
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Peace, love and soul:  70s television and black public space
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Disturbing the peace: television, disruption, and the roles of Black women
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Camelot, Hooterville, or Watts? American network television and the struggle for national identity, 1946-1974
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Power party girls, good looking crowds and one hellish boss: The portrayal of the female entertainment publicist on reality television
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What, me subversive? Television and parody in postwar America
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GM TV: sports television and the managerial turn
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Father, son, and the holy dollar: rebuilding the American Dream in post recessionary reality television and mommy blogging
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From "remote" possibilities to entertaining "difference": a regional study of the rise of the television industry in Los Angeles, 1930-1952
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Encoding women: popular culture and primetime Indian television
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Television and the independent film idea from the network era into the digital age
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I can't afford the luxury of just being an actress: the politicized work of African American actresses on television
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The teacher and the teaching screens: Transformations of instructional practice through film, television, and new media
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Whose quality is it? Transnational TV flows and power in the global TV market
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An exploratory study of the “observation format” in transnational Korean and Chinese reality television
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