Silicon Valley's foreign policy, 2012 

Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema 

Art and politics in the Russian satirical press, 1905-1908 

Up to code: geopolitics and its influence on cultural production on the Internet 

Teaching freedom: the power of autonomous temporary institutions and informal pedagogy in the work of Tania Bruguera and Suzanne Lacy 

Prospering in resistance: the performance art of Zhang Huan from the 1990s to 2000s 

Totality: theory, practice, and pedagogy in Qiu Zhijie’s “Total Art” 

Stolen culture: a discussion on decolonization and repatriation of Indigenous artifacts 

A picture is no substitute for anything: intertextuality and performance in Moyra Davey’s Hujar / Palermo 

Re/locating new media in the museum 

Transcendent hybridities: Lu Yang's interrogation of gender, technology, and "Chineseness" in contemporary 

Redress: gender and power in Saudi Arabian art 

Sites of oppositional consciousness: the construction of an alternative cyborg in Trinh T. Minh‐ha’s Night Passage 

The hard truth about soft power, 2011 

Vloggers, celebrities, gods and kings: the politics of publicness in Natalie Bookchin's Now he's out in public and everyone can see 

The kinesthetic citizen: Dance and critical art practices 

(M)other work: feminist maternal performance art 

Performative futurity: transmuting the canon through the work of Rafa Esparza 

Making art public: mobilizing public art through technology 

Oda Projesi's practices of mediation 

Poetry as a political tool: text and image in the narrative of Theresa Hak Kyung Cha 

Confucius institutes and the globalization of China’s soft power, 2014 

Museum programming and the educational turn 

Mónica Mayer and Lotty Rosenfeld: erasing the boundary between life and art 

Art as a political tool: the early feminist production of Mónica Mayer, 1976–1984