Filming and the marginal space: Souleymane Cisse and the cinema of postcoloniality. 

Historical depictions of slavery and civil rights in 21st century American film: global circulation of post-racial ideology in the Age of Obama 

A critical survey of the documentary film 

Self-representation, cultural formation, and Mexican-American modernism 

A survey of opinions and reports on narration for selected interpretative films 

Writing and filming the subaltern: Gender, history and post-colonialism 

Color inside the lines: race and representation in the formula dance film 

Roman Jakobson's poetic function of language: The historic theory of equivalence projections from the axis of selection into the axis of combination. 

Reproducing the line: 1970s innovative poetry and socialist-feminism in the U.K. 

Gang Cops: The anatomy of an ethnographic film 

The American Film Theatre: An examination of the process of adaptation from stage to screen in theory and in practice 

Floating signifiers: tracing zainichi Korean identity in postcolonial literature and visual media 

Terrible screeching: Adaptation of Pushkin's "Queen of Spades" in theater, opera and film 

Changing rhythms: Gitanos today, an ethnographic film model applied to social work among gypsies in Granada, Spain 

Production design and the history film 

Embodied memory: the formation of archived audiovisual holocaust testimony in the United States 

Christian Metz and the reality of film 

Seeing through evil: women modernists and their fascist dictators 

Symbolic structure of the circus in the films of Tod Browning 

Women in peril: essays on gender, violence, and media 

Religious motifs in John Ford's sound films 

When a story calls: the narrative potential of mobile media 

Imaging alterity: discourse, pedagogy, and the reception of ethnographic film 

Nahui Ollin, “in search of the divine force”: a phyical immersive interactive dance experience 

Loneliness in Japanese media: empathizing with hidden outcasts in a stagnant society