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Francis Poulenc's "Sept repons des tenebres":  An introduction and analysis for conductors
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A History Of Music Education In The San Francisco Public Schools
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Eighteenth Century String Chamber Music, Selected For Use In The Trainingof School Instrumentalists
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Volume I:  Selected Unpublished Symphonies Of The Mannheim School For Use In Training School Orchestras. Volume Ii:  Musical Scores
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Concerto For Piano And Orchestra (Original Composition)
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Sixty Years Of Clarinet Chamber Music:  A Survey Of Music Employing Clarinet With Stringed Instruments Composed 1900-1960 For Two To Five Performers
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A Well-Balanced Choral Program As Developed In The Los Angeles High Schools
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The Early Development Of Virtuoso Piano Style
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An Individual Testing Approach To Assess Creative Abilities
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Teaching The History Of Western Music Through Instrumental Performance Inthe Secondary School
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The Four-Part Through Seven-Part Sacrae Symphoniae Collected And Published In 1600 By Caspar Hassler
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The Henning Violin Method:  An Adaptation For Modern String Classes
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The Bassoon:  Its Use In Selected Works Of Shostakovich, Stravinsky, And Schoenberg
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Three Violin Concertos By Wenzel Pichl (1741-1805):  With Solo Edition Andpiano Reduction For Student Performers
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A study of the community symphony orchestra in the United States, 1750 to 1955
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A translation of "SYNTAGMA MUSICUM III" by Michael Praetorius
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Two piano literature: A comparative study of its textures
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An annotated catalogue of American violin sonatas, suites, and works of similar character: 1947-1961, with a survey of traditional and contemporary violin technique
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Clementi, Beethoven, and the piano sonata: A comparative study
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Bartok's development as orchestrator
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The string quartets of Johann Georg Albrechtsberger: An historical and formal study
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Programmatic elements in the works of Schoenberg
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Thematic integration of the chorale melody "Wer nur den lieben Gott laesst walten" in Brahms's choral music
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Ernst Toch, "Grundgestalt," and developing variation
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A study of Felix Mendelssohn's "St. Paul"
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