Seeing through evil: women modernists and their fascist dictators 

DOMESTIC CONTAINMENT: 

Film as an instrument of research 

Mud kin: mapping adobe and land-based indigenous and Latinx projects form southern California to west Texas 

Tepid 

An analytical study of the treatment of the Jews by the Nazis in three major anti-Semitic films 

Tasty, comestible men: metabolic poetics in Senegal 

The traces of Jacques Derrida's cinema 

Utilizing advanced spatial collection and monitoring technologies: surveying topographical datasets with unmanned aerial systems 

An investigation of certain aspects of the social, economic, and educational status of second-generation Chinese and Japanese graduates of the high schools of Fresno, California 

Morton Schamberg and the machine aesthetic in early twentieth-century American art 

Cross-cultural, cross-institutional collaborative art project: finding family stories 

Urban interfaces: Building images in the 20th century American city 

Tecnologías deculoniales: in search of an estética multi-étnica y multicultural; Tecnologias deculoniales: in search of an estética multi-etnica y multicultural 

Daily Trojan, Vol. 121, No. 62, December 02, 1993 

Two visions, two publics: the Jewish Museum and the Skirball Cultural Center 

USC chronicle, vol. 18, no. 21 (1999 Feb. 22) 

Where fiction and reality meet 

Backward: queer rurality in American popular culture from 1920 to the present 

Transcendental modernism, 1908-1917: America's tradition of the new and the revolt against the hobgoblin of little minds 

uschist-dt-1994-11-03.pdf 

Microsoft Word - 1_Front matter FINAL.doc 

An enticement to knowledge: Documentary spectatorship and a theory of performatives 

The arresting eye: Race and the detection of deception 

Contemporary pre-Columbian art: recasting artifacts through object biographies