Art as a political tool: the early feminist production of Mónica Mayer, 1976–1984 

ID × beauty: the intersection of design, beauty, and our performative identities 

Chicano chic: fashion/costume/play 

A forward looking art: education, creative exchange, & the rise of modern Native American artists 

Prospering in resistance: the performance art of Zhang Huan from the 1990s to 2000s 

Transformative occupations: life experiences of performers with disabilities in film and television 

In the flesh: the representation of burlesque theatre in American art and visual culture 

Chinese folk dance performances in the United States: opportunities and challenges faced by PR professionals 

Documentary film 

Osvaldo Golijov’s Oceana: performance considerations 

Alison Knowles' Make a salad and Identical lunch: communal and sensory performance through open scores 

Techniques for artistic percussion performance 

Announcement, reading, "Richard and Felix: twilight in Venice", Los Angeles, Calif., 2010-06-13 

Inseparable: a manifesto for the separation of art and artist 

Witnessing silence: testimony, performance, and the poetics of the unspeakable 

2 women performers plus word salad 

Trailer talk: performance journalism staging conversations and re-engaging public space 

Explorer-at-large: artist-led inquiry and the rise of the museum as athenaeum 

Laryngeal height as seen in modern and historical vocal treatises, and instructional literature on historical performance practice 

Clique modernism: coterie aesthetics in midcentury America 

Pansies and femmes, queens and kings: queer performers in the tease business 

Artists as authors: three Los Angeles art periodicals of the 1970s 

Artists as authors: three Los Angeles art periodicals of the 1970s 

Optimal applications of social and emotional learning paradigms for improvements in academic performance 

Embodiment of text after conceptualism: Language and video in Fast trip, long drop (1993) and Cornered (1988)