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The evolution of public relations practices in the indie rock genre
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Genre transgression and moral interrogations in early modern English revenge drama
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Las Vegas as public art
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Coastal public art: an innovative way to disseminate ocean science
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Alternative art incubators: cultivating collaboration and innovation in Los Angeles public art practices
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Indias of the mind: responses to cultural nationalism in Indian popular culture post-Hindutva
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Public art as liberatory pedagogy through performance methodologies
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Combiform: a console for the new communal casual game genre
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Interpreting participatory art
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Collaborative art practice in the public sphere: The death of the artist?
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From land art to social practice: environmental art projects by Helen Mayer Harrison and Newton Harrison, Bonnie Ora Sherk, Mel Chin, Fritz Haeg, and Fallen Fruit
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Sustainability through participation: public art projects by Fritz Haeg, Futurefarmers, and Fallen Fruit
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The fourth "R" of education: promoting arts education in Los Angeles public schools
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Art on television: 1967-1976
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Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave
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Conceptual street art as a means of democratic participation
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Re/locating new media in the museum
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Cultivating the arts in rural communities of the San Joaquin valley
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The kinesthetic citizen: Dance and critical art practices
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Moving classical public radio into the new media future
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The socio-technical humanities: reimagining the liberal arts in the age of new media, 1952-1969
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In the art of revolution: integrating community arts into the existing development work of non-government organizations in Guatemala and El Salvador
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The art of staying: Theaster Gates and the Rebuild Foundation
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The influence of new media marketing public relations on the South Korean film industry -- in relation to the U.S. film industry
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Sites of resistance: LA Freewaves and inSite reinvent the public sphere
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