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Cinema 4.5? Legacies of third cinema at the age of informational capitalism
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Cinema verite.  A descriptive study
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Certain tendencies in Canadian cinema: temporary insanity and the national tax-shelter masquerade
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A new American cinema
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Yellow Hollywood: Asian martial arts in U.S. global cinema
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Molti -story cinema:  The episode film in the Italian cinema
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Revolutionary cinema : Soviet art-propaganda, 1919-1938
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Contemporary European cinema in a transnational perspective: aftereffects of 1989
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Neglected imagination: Achilles' heel of Korean cinema production
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Nostalgia for the future to come: National consciousness in post-87 Taiwanese literature and cinema
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¡Que naco! Border cinema and Mexican migrant audiences
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A comparative survey of the training in cinema offered by selected educational institutions in the United States and other countries
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A cinema of anxiety: American experimental film in the realm of art (1965–75)
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The portrayal of the Jew in American cinema, 1900-1953
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Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age
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Unraveling countrysides: provincial modernities in contemporary popular Indian cinema
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Constructing Japaneseness: war, race, and American cinema, 1924-1992
An analysis of the technique of production design in cinema as employed by William Cameron Menzies
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Music, image, gesture: The graphical score and the visual representation of music in cinema and digital media
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Frontier fantasies: cinema, regional alterity, and Hokkaido at the boundaries of nation
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Liminal visibility: exploring ambiguities of time and space in transnational Korean hallyu cinema
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The Cultural-Political Traditions And Developments Of The Soviet Cinema From 1917 To 1972
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In a state of exception: political subjecthood in European film, 1990-2008
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A cinema under the palms: the unruly lives of colonial educational films in British Malaya
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Marquee survivals: a multimodal historiography of cinema's recycled spaces
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