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The voice in the garden: an experiment in combining narrative and voice input for interaction design
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Many voices, many hands: widening participatory dialogue to improve diplomacy’s impact, 2018
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A companion guide to Nick Strimple’s Choral Music in the Nineteenth Century: a research and repertoire guide for nineteenth century small form choral works for mixed voices
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One voice: a reconciliation of Harry Partch's disparate theories
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Defiant voices: the Mixtec frequency
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Choral music for mixed voices with original piano accompaniment
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Mixed blessing
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N|TONE: an interactive exploration of a poetic space through voice
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Successful reentry among formerly incarcerated women: a mixed methods analysis
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darkness and beauty of stars: love songs for mixed chorus and wind ensemble
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In search for a deeper understanding of Emma Lou Diemer’s compositional style through the analysis of her shorter choral works for mixed chorus since 1987
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Teachers' pedagogy and perceptions of technology integration: a mixed‐methods case study of kindergarten teachers
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The acoustics of vowel formants in choral blend, balance, and homophonic intonation
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Psycho-physical determinants of individual differences in voice quality
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The development of the male voice from childhood through adolescence
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Training the boy's adolescent voice in the junior high school music program
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Training the boy's unchanged voice at the junior high school level
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The voice class in the senior high school as a communicative force
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Source-specific learning and binaural cues selection techniques for audio source separation
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Impurely raced // purely erased: toward a rhetorical theory of (bi)racial passing
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A study of the relation of certain types of voices to successful radio broadcasting
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A voice of reason: The story of the Religious Coalition for Reproductive Choice
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Finding a voice: essays and columns from the Cuban American experience
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Voices in the mirror: Sacrifice and the theater of the body in the dramatic monologues of Ai and Frank Bidart
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The changing tune of singing competitions
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