La galvanisation du corps: le cinéma français et la biopolitique 

Transnational modernity, national identity, and South Korean melodrama (1945-1960s) 

Anglo agonistes: English masculinities in British and American film 

Shake your assets: dance and the performance of Latina sexuality in Hollywood film 

Constructing Japaneseness: war, race, and American cinema, 1924-1992 

Nostalgia for the future to come: National consciousness in post-87 Taiwanese literature and cinema 

Transnational film remakes: time, space, identity 

Allegories of dispersal: Nation and participation in Indian cinema, 1947-1977 

Declarations of independence: film and the American mythology 

International coproduction in Europe: A cultural perspective 

At least half the picture: sound and narration in the postwar / pre-Dolby American film 

When a story calls: the narrative potential of mobile media 

From novel to script: A critical analysis of the techniques involved in the transliteration from novel to script with a case study of "Executive Suite" 

Television and the independent film idea from the network era into the digital age 

Speaking for Taiwanese history, culture and past: Hou Hsaio-Hsien's "Taiwan Trilogy" 

Inside the dark museum: A genealogy of black film criticism, 1909-1949 

Animated subjects: globalization, media, and East Asian cultural imaginaries 

The new generation on screen: youth cinema and youth culture in South Korea since the 1990s 

Technical and theoretical analysis of cinematic sound 

The contemplative landscape: Allegories of space in cinema 

Images of the city -nation: Singapore cinema in the 1990s 

Stalinist musicals and the socialist realist heroine 

A historical and analytical study of the French unit at the National Film Board of Canada (1939-1980) 

An analysis of the technique of production design in cinema as employed by William Cameron Menzies 

The city seen: Cinematic representation of urban space