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Molti -story cinema:  The episode film in the Italian cinema
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Cinema 4.5? Legacies of third cinema at the age of informational capitalism
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Cedric Gibbons: Pioneer in art direction for cinema
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Yellow Hollywood: Asian martial arts in U.S. global cinema
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Revolutionary cinema : Soviet art-propaganda, 1919-1938
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Neglected imagination: Achilles' heel of Korean cinema production
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The portrayal of the Jew in American cinema, 1900-1953
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An investigation of the tools for creative cinema
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A cinema of anxiety: American experimental film in the realm of art (1965–75)
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Unraveling countrysides: provincial modernities in contemporary popular Indian cinema
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Constructing Japaneseness: war, race, and American cinema, 1924-1992
The beginnings of gay cinema in Los Angeles: The industry and the audience.
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An analysis of the technique of production design in cinema as employed by William Cameron Menzies
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Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands
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Science, fiction, and film: A study of the interaction of science, science fiction literature, and the growth of cinema.
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In a state of exception: political subjecthood in European film, 1990-2008
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Frontier fantasies: cinema, regional alterity, and Hokkaido at the boundaries of nation
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Speaking for Taiwanese history, culture and past: Hou Hsaio-Hsien's "Taiwan Trilogy"
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A survey of the motion picture industry in India as of 1947
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The genre of historical adventure in the movies
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The woman's film at Warner Brothers: 1935-1950
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Television and the independent film idea from the network era into the digital age
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Mr. Japan goes to Tinseltown: A study of the film business between the United States and Japan or, How Japan learned to stop making films and love Hollywood
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Racial mythologies: African American female images and representation from minstrelsy to the studio era
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The Countess Katarina
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