In search for a deeper understanding of Emma Lou Diemer’s compositional style through the analysis of her shorter choral works for mixed chorus since 1987 

Wheel in a wheel: an analysis of the use of counterpoint in the choral spirituals of William Dawson 

Daily Trojan, Vol. 41, No. 63, December 09, 1949 

A performance edition and critical commentary of the festival Te Deum (1791) 

etd-McWilliams-5336-2-bella.pdf 

Nick Bentz master's composition portfolio 

A study of Nick Strimple’s compositional life with an emphasis on his work Pentecost 

Calendar of a series on 100 years of the Viennese avant-garde, USC, 1984 

A study of the Symphoniae Sacrae of Heinrich Schuetz: Musical and textual content, instrumental usage, performance practice 

Expressions of faith, spirituality, and religion in Schoenberg's Op. 50 

Daily Trojan, Vol. 30, No. 146, May 29, 1939 

The Southern California Trojan, Vol. 8, No. 117, May 25, 1917 

The opera chorus as choral concert repertoire: an examination of choruses by Giuseppe Verdi 

Fauré's Requiem re-examined: a study of the work's genesis, influences, and influence 

Dvorak's "Stabat Mater": A conductor's guide 

Choral intonation: The phenomenon, the problems, the practical solutions 

The Life and Works of Gabriel Jackson 

Empa-Kinetic: A dance production 

The Stabat mater: An analysis of settings by Domenico Scarlatti and Karol Szymanowski 

The Mortal Thoughts of Lady Macbeth 

A course of study for advanced voice training classes in the secondary school 

Bonaventura, Boccherini, 1931 

David Ward-Steinman and his oratorio The Song of Moses: an appreciation and analysis 

An annotated bibliography of select women's chorus music with original text in English or Latin 

Sergei Prokofieff and symphonic forms: A comparative musical analysis of four typical compositions by Prokofieff representative of four musical forms; the concerto, sonata, cantata and suite