Ajax loader
By using our website, you agree to our use of cookies as described in Cookie Policy
 For more images, please select "images" in the filters.
The social consciousness found in the plays and lyrics of Oscar Hammerstein II in collaboration with Richard Rodgers
PDF
The lyric and music as an integral part of Elizabethan dramaturgy illustrated from the works of Lyly, Dekker, Marston, and others
PDF
Edward Hugh Sothern, letter, 1910-04-28, to Hamlin Garland
Portrait of Mr. Curtis Abbott, Southern California, 1930
Herself behind herself concealed: a biomythography of Jamaican womanhood
PDF
The social location of Horace's poems:  Landscape, literary talks, friendship, and lyric monuments
PDF
The Trial of Kate Cobb: An opera in one act, book, music, and lyric
PDF
Vesta Tilley's Great Songs, Half Past Nine
Her Name is Jane
In the Pale Moonlight
Seaside Girls
The Midnight Son
Vesta Tilley's Great Songs, Bold Militiaman
Vesta Tilley's Great Songs, Half Past Nine
Seaside Girls
Vesta Tilley's Great Songs, Bold Militiaman
Her Name is Jane
The Midnight Son
In the Pale Moonlight
Things that matter: The importance of objects in the lyrics of Marianne Moore, Elizabeth Bishop, and Jorie Graham
PDF
Choral festival, 1952
Opera, 1952
I Love the Ladies
Oh you Tease
She Loves Me
of 31