Whose quality is it? Transnational TV flows and power in the global TV market
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One more time: instances, applications, and implications of the replay
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Yellow Hollywood: Asian martial arts in U.S. global cinema
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The image of the journalist as loyal, loquacious and lively: Alice Pieszecki in The L word
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At least half the picture: sound and narration in the postwar / pre-Dolby American film
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Bill Monroe, letter, 1968-12-31, to Herbert G. Klein.
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Law & disorder: the image of the journalist in television's Law & Order series
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Lesbianscape of Taiwan: media history of Taiwan's lesbians
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Co-producing the Asia Pacific: travels in technology, space, time and gender
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Digital writers in an analog world: the image of the cyberjournalist in American film and television
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Shake your assets: dance and the performance of Latina sexuality in Hollywood film
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Changing viewership habits: an analysis of the new television landscape: when going over-the-top, who will end up on top?
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Living with Worldport, 1989-03
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Routine adjustments:  Re-viewing women's TV comedy genres, 1950--1969
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Black women on the small screen: the cultural politics of producing, promoting, and viewing Black women-led series in the post-network era
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A cinema under the palms: the unruly lives of colonial educational films in British Malaya
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The body and its "thumbnails": the work of the image in mobile-imaging
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Girls, girls, girls: Gender and generation in contemporary discourses of female adolescence and youth culture
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Exposure to alcohol advertising on television and alcohol use among young adolescents
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A community on the air: Latino Los Angeles and the rise of Spanish-language TV in the United States, 1960-1990
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fame-184-sermon
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Hollywood vault: the business of film libraries, 1915-1960
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Symbols, myth and TV in Hawai'i:  "Hawaiian Eye", "Five-O" and "Magnum P.I.". The first cycle
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Performance unleashed: multispecies stardom and companion animal media
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The Mannequin
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