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Medusan optics: film, feminism, and the forbidden image
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How to suppress women’s filmmaking
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Retaining and supporting BIPOC professionals in PWIs: addressing PWIs equity gap
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Fabulous, fierce and over 40: women breaking barriers on social media and television
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From spectators to visionaries: visual culture and the transformation of Boston, 1820-1860
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Asian critical theory: Southeast Asian transfer student experiences at a predominantly White institution
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Hamlin Garland, letter, 1939-01-27, to Sophia Williams
In every parish of Denmark there are countless religious offers. At leasure time education you ...
Portrait of Mrs. Katherine Tingley, head of the Theosophical Institute at Point Loma, [s.d.]
The socio-technical humanities: reimagining the liberal arts in the age of new media, 1952-1969
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Poetics of resistance: works by Noé Olivas in conversation with the poems of Gwendolyn Brooks, Pedro Pietri, and Lorna Dee Cervantes
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Speaking out of turn: race, gender, and direct address in American art museums
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Danser la maladie, contaminer la beauté: a viral approach to the (choreo)graphed body
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Walking out of ground zero: art and the aftereffects of the atomic bombs in postwar Japan
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Liminal visibility: exploring ambiguities of time and space in transnational Korean hallyu cinema
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Radical crossings: from peasant rebellions to internationalist multiracial labor organizing among Japanese immigrant communities in Hawaii and California, 1885–1935
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Queers read this!
Toilet goods, Bullocks, Southern California, 1934 [image 5]
Catechist talking in Christian compound, Benin, ca. 1925-26.
10. A fetish house in the Grassfields in Cameroon.
Portrait of land owner Dona Plummer, Hollywood, California, [s.d.]
Portrait of financier O.F. Brant, [s.d.]
Monoplane in flight near Mines Field factory, 1929
Exterior view of an unidentified oil refinery at night, ca.1940
Molecular docking of sulfonylureas to the SUR1 receptor
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