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Terrible screeching: Adaptation of Pushkin's "Queen of Spades" in theater, opera and film
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Canadian public diplomacy and nationbuilding: Expo 67 and the World Festival of Arts and Entertainment, 2016
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Comic venus: women and comedy in American silent film
Moving classical public radio into the new media future
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Transformation of habitus and social trajectories: a retrospective study of a popular music program
Declarations of independence: film and the American mythology
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Real work: the stage actress in the Bildungsromans of Geraldine Jewsbury and Louisa May Alcott
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Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts
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Microsoft Word - 1_Front matter FINAL.doc
Tracing a history: an exploration of contemporary Chicano art and artists
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Hidden talent: the emergence of Hollywood agents, 1928-1949
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Comic books incorporated: industrial strategy and the legitimation of lowbrow media
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Surveying the field: the popular origins of art history in nineteenth-century Britain and France
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The moral basement: investigations into ethics and irony in contemporary fiction
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In the flesh: the representation of burlesque theatre in American art and visual culture
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From Classicism to Neoclassicism: Cicero, slavery, and fictions of personhood in the writings of Charles Brockden Brown
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Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II
Transatlantic Irish and the racial state
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Four-color Marvels: Stan Lee, Jack Kirby, and the development of comic-book fandom
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The life of a text: Bertolt Brecht's Three Penny Opera. Studies in literary and cultural transfer
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Yellow Hollywood: Asian martial arts in U.S. global cinema
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