Temporal dynamics in the lives of health practitioners 

San Juan Bautista Mission model information 

Coordinating social communication in human-robot task collaborations 

Aesthetic driven design of Space Maestro 

How do non-tenure track faculty interact with Latino and Latina students in gatekeeper math courses at an urban community college? 

Mechanisms of (in)visibility: Korean militarized subjects, critical sensing, and the project of decolonization 

Investigating the production and perception of reduced speech: a cross-linguistic look at articulatory coproduction and compensation for coarticulation 

Fast upper airway MRI of speech 

"What else can I do?": Cinematic slowness, anti-liberal affect and authenticity in An Elephant Sitting Still 

Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent 

The misunderstood maestro: The art of conducing, and why we don't get it 

Mónica Mayer's collective art practice, 1978–2018 

The present tense and other moments in time 

USC Trojan family magazine (2011 Autumn) 

Irving Howe, review of The Drowned and the Saved, by Primo Levi, The New York Times Book Review, January 10, 1988. (clipping) 

Making and unmaking the museum: Tom Marioni and San Francisco conceptual art, 1968-1979 

Localite 

Worried man, Los Angeles, Calif., 1942 [image 2] 

Neuro-avantgarde 

Worried man, Los Angeles, Calif., 1942 [image 3] 

Worried man, Los Angeles, Calif., 1942 [image 5] 

Worried man, Los Angeles, Calif., 1942 [image 4] 

Worried man, Los Angeles, Calif., 1942 [image 6] 

The acting of Shylock since Shakespeare's time 

Dynamics of speech tasks and articulator synergies