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An examination of the second cycle of the Swashbuckler genre
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Historical depictions of slavery and civil rights in 21st century American film: global circulation of post-racial ideology in the Age of Obama
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Representative twentieth-century short story cycles:  studies in a literary genre
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Harmonic materials and usages in the "Lorca Cycle" of George Crumb
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The poetics of disillusionment: the legacy of the eighteenth-century ceremonial ode in nineteenth-century Russian lyric poetry and pastoral prose
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Symbols, myth and TV in Hawai'i:  "Hawaiian Eye", "Five-O" and "Magnum P.I.". The first cycle
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Stage, cathedral, wagon, street: the grounds of belief in Shakespeare and Renaissance performance
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Review and analysis of the past, present and future of American talk shows in China based on the Daily show experience
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Dead girls, monsters, and assholes: marginality in the practices of Asco and Marnie Weber in Los Angeles
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For whom is neo-soul?: Black women and rhetorical invention in the public sphere
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The biopoetic: toward a posthuman epic
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Baseball talk: investigating fan participation in the blogosphere
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The origin and development of continuous narrative in Roman art, 300 B.C. - A.D. 200
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A taste for trash: the persistence of exploitation in American cinema, 1960-1975
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The Supreme Court and the governing regime in political time
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Dominick Argento's "A Toccata of Galuppi's": a critical analysis and its relationship to the text
Factorizing information extraction from text corpora
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Dead zones: human mobility and the making of media nationalism
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Father, son, and the holy dollar: rebuilding the American Dream in post recessionary reality television and mommy blogging
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Examining the representation of modern women in 20th century modern Chinese fiction: the search for self in comparison of works by women authors Ding Ling and Eileen Chang
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Finding cultural identity in gamelan: a multimedia look at Balinese culture in Los Angeles through Gamelan Burat Wangi
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Hollywood vault: the business of film libraries, 1915-1960
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Art and epic theater in Cold War Germany
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Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries
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Theology as a basis for golden section analysis: a model of construction for Johann Sebastian Bach's St. John Passion
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