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Dynamic canons: how the Pulitzer prize, documentary film, and the US Department of State are changing the way we think about jazz
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A new eros: sexuality in women's art before the feminist art movement
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Certain tendencies in Canadian cinema: temporary insanity and the national tax-shelter masquerade
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Portrait of my people #619, Los Angeles, 1995
Existential surplus: affect and labor in Asian diasporic video cultures
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Sound-on-film: John Cage and avant-garde cinema
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Lights, camera, (call to) action: global public engagement in film launch campaigns
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The Chinese film industry's soft power implications
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Self-representation, cultural formation, and Mexican-American modernism
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Beyond the electronic curtain
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Heidi Duckler, my Beowulf project, 2006; 2007
Becoming Dalit cinema
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The Hollywood research library: visual knowledge in the Republic of Images
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Right out of history : the making of the dinner party
The women's communication coalition present the first annual west coast women's video festival
Frame by frame: a documentary on the preservation of film
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etd-RuizSusana-3651~131
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Creating your next movie through crowdfunding: the role of modern public relations, a case study
Local detail, universal appeal: Parasite’s “Best Picture” win & trends in South Korea-US film exchange
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etd-RuizSusana-3651~065
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Changing rhythms: Gitanos today, an ethnographic film model applied to social work among gypsies in Granada, Spain
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etd-RuizSusana-3651~108
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