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The Chinese film industry's soft power implications
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Gender inequities in behind-the-camera positions of power in the film industry: an evaluation study
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Carnival in the birdcage: a study of the film and media industries' reforms in China after 1978 and its soft power
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The influence of new media marketing public relations on the South Korean film industry -- in relation to the U.S. film industry
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De-Americanizing soft power discourse?, 2014
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Effects of economic incentives on creative project-based networks: communication, collaboration and change in the American film industry, 1998-2010
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The film industry and urban development in metropolitan Los Angeles, 1920-1975
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Quasi-independent films: an adaptation of Chinese independent films
Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema
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Tacit anticipation among film students: an ethnography of making movies in film school
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Hollywood vault: the business of film libraries, 1915-1960
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The Mechrabpom Film Group, written after 14 July 1967
A cinema under the palms: the unruly lives of colonial educational films in British Malaya
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Changing the dialogue: How digital creators are reshaping film criticism
Medusan optics: film, feminism, and the forbidden image
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Shadows of stardom: Latina actresses in the 1930's Hollywood produced Spanish language films
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Empirical essays on industrial organization
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That's just what this country needs: another film that's a flop at the flicks: a PR perspective on the success of home-grown films at the Australian box office
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Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule
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Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave
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Sound-on-film: John Cage and avant-garde cinema
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The critic's guidebook: conversations, advice and models for young, aspiring film critics
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A cinema of anxiety: American experimental film in the realm of art (1965–75)
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Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917
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Two decades of Soviet biographical film: from revolutionary romanticism to epic monumentalism
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