Loaisel de Treogate: "Dolbreuse", recherches sur les rapports entre auteur et oeuvre 

What's in a name. 

The woman's film at Warner Brothers: 1935-1950 

Transcriptions: Parcours de Sade a Rousseau 

Les couleurs, les odeurs, et les sons dans "Les Fleurs du Mal" 

uschist-dt-20180823.pdf 

Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine 

Hysteria in Lourdes and miracles at the Salpêtrière: the intersection of faith and medical discourse in late nineteenth-century French literature 

Bitlis 2 (blue folder), 1894-1917 

La Belle Alphrede: Comedy of Jean Rotrou (1636) 

Transcript, vol. 2, no. 13, 1982-12-06 

The sources of Jean Rotrou's plays from "L'Hercule Mourant" to "Les Sosies" (1634-1636 or 1637) 

Re -imagining the site of the feminine: A rediscovery of Zhang Ailing's fictional works 

A comparison of the Bluebeard legend in operatic settings by Bela Bartok and Paul Dukas 

Jean Rotrou's L'Hypocondriaque 

Jean Rotrou's Saint Genest (1647) 

A rhetoric of the short story: A study of the realistic narratives of Flaubert, Maupassant, Joyce, and Hyon Chin'gon 

The concept of love in the dramatic works of Jean Rotrou 

Daily Trojan, Vol. 138, No. 9, September 13, 1999 

uschist-dt-20171108.pdf 

Jean Rotrou's Antigone (1639): critical edition 

Shake your assets: dance and the performance of Latina sexuality in Hollywood film 

Psychological struggle and argumentation in Pierre Corneille's first six tragedies 

uschist-dt-20170915.pdf 

Daily Trojan, Vol. 98, No. 13, January 29, 1985