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Loaisel de Treogate: "Dolbreuse", recherches sur les rapports entre auteur et oeuvre
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What's in a name.
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The woman's film at Warner Brothers: 1935-1950
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Transcriptions: Parcours de Sade a Rousseau
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Les couleurs, les odeurs, et les sons dans "Les Fleurs du Mal"
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uschist-dt-20180823.pdf
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Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine
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Hysteria in Lourdes and miracles at the Salpêtrière: the intersection of faith and medical discourse in late nineteenth-century French literature
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Bitlis 2 (blue folder), 1894-1917
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La Belle Alphrede: Comedy of Jean Rotrou (1636)
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Transcript, vol. 2, no. 13, 1982-12-06
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The sources of Jean Rotrou's plays from "L'Hercule Mourant" to "Les Sosies" (1634-1636 or 1637)
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Re -imagining the site of the feminine: A rediscovery of Zhang Ailing's fictional works
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A comparison of the Bluebeard legend in operatic settings by Bela Bartok and Paul Dukas
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Jean Rotrou's L'Hypocondriaque
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Jean Rotrou's Saint Genest (1647)
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A rhetoric of the short story: A study of the realistic narratives of Flaubert, Maupassant, Joyce, and Hyon Chin'gon
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The concept of love in the dramatic works of Jean Rotrou
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Daily Trojan, Vol. 138, No. 9, September 13, 1999
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uschist-dt-20171108.pdf
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Jean Rotrou's Antigone (1639): critical edition
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Shake your assets: dance and the performance of Latina sexuality in Hollywood film
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Psychological struggle and argumentation in Pierre Corneille's first six tragedies
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uschist-dt-20170915.pdf
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Daily Trojan, Vol. 98, No. 13, January 29, 1985
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