Encounters with the Anthropocene: synthetic geologies, diegetic ecologies and other landscape imaginaries 

The Hollywood left: cinematic art and activism in the 1930s 

Yellow Hollywood: Asian martial arts in U.S. global cinema 

A vernacular vanguard: surrealism and the making of American art history 

Beauty has a price: the global political economy of beauty among youth in Guadalajara, Jalisco, Mexico 

Slippery subjects: a reading of Robert Altman’s “3 women” 

Teaching literary criticism: a curriculum with an emphasis on religion 

Well-being domesticities: mediating 21st-century femininity through physical, mental, and emotional lifestyles 

Growing up in a patriarchal society 

Making and unmaking the museum: Tom Marioni and San Francisco conceptual art, 1968-1979 

Rock & roll with it: empowering girls to become leading womxn through music 

Subverting state violence through the art of hood politics: an exploratory study of Black and Latinx students' critical consciousness and political efficacy 

Receiving feminisms: media cultures and lesbian potentiality in the 1970s 

Pursuing inclusive interests, both deep and wide: women's human rights and the United Nations 

Critical pedagogy as a means for student learning and empowerment 

Women in flow: hip hop, eroticism, & agency 

Tom Marioni: artistic intoxication 

Allison Wolfe: the personal is political 

Reproducing the line: 1970s innovative poetry and socialist-feminism in the U.K. 

Art on billboard space: Subversive intervention in the city of Los Angeles 

Feminist spirituality and social transformation 

Teaching critical thinking in secondary foreign language classrooms 

Black, Muslim, and gay/queer male allies: an intersectional analysis of men’s gender justice activism 

Tapestry and tableau: revival, reproduction, and the marketing of modernism 

Language and identity in critical sensegiving: journeys of higher education equity agents