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A History Of Music Education In The San Francisco Public Schools
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Teaching The History Of Western Music Through Instrumental Performance Inthe Secondary School
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The German Baroque Church Cantata And Its Use In Twentieth Century Corporate Worship
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The Bassoon:  Its Use In Selected Works Of Shostakovich, Stravinsky, And Schoenberg
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The "Grand Motet" of the late Baroque in France as exemplified
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The trumpet; its use in selected works of Stravinsky, Hindemith, Shostakovich, and Copland
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An annotated catalogue of American violin sonatas, suites, and works of similar character: 1947-1961, with a survey of traditional and contemporary violin technique
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A historical and stylistic analysis of the music of William Grant Still and a thematic catalog of his works
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The development of the oboe in the Baroque era
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Bartok's development as orchestrator
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A study of John La Montaine's trilogy of pageant-operas for Christmas
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Liszt's concept oratorio as reflected in his writings and in "Die Legende von der heiligen Elisabeth"
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The making of an American film composer: A study of Alfred Newman's music in the first decade of the sound era
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Programmatic elements in the works of Schoenberg
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Wagnerian elements in six French operas written or performed in the 1880s
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Manuel de Falla's "Atlantida": A choral masterwork
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The choral music of Irving Fine
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Strategies of meaning: A study of the aesthetic and musical language of Luciano Berio
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A performance guide to Arthur Honegger's "King David"
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Handel's "Alexander's Feast": History, analysis, and performance considerations
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