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Jean Painlevé's cinematic wildlife, 1924-1946
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The veiled screen: uncanny crystallizations in the moving image
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Educational standards for the production of secondary school instructional films
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Theatrical realism: An American film style of the fifties.
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Blanche M. Baker, letters (1958/1959)
The unbroken scenario a collection of essays (and one poem)
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A critcal analysis of four classifications of dance film
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Shooting for difference: Making ethnographic films in a postcolonial world
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John Steinbeck in films: An analysis of realism in the novel and in the film: A non-teleological approach
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John Steinbeck In Films:  An Analysis Of Realism In The Novel And In The Film--A Nonteleological Approach
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A Critical Study Of The Film Musicals Of Vincente Minnelli
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Generation sex: Reconfiguring sexual citizenship in educational film and video
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Gang Cops: The anatomy of an ethnographic film
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Correlated sound films for social studies in junior high school.
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Religious motifs in John Ford's sound films
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Movement, immigration, and racial capitalism: Miko Revereza’s films
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Sexual Parody In American Comedic Film And Literature, 1925-1948
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From pulp to celluloid: images of fictional cities
Open texts: Film, photography, and anthropology in Fillmore
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Business casual: performing labor in the work of Harun Farocki, Pilvi Takala, and Melanie Gilligan
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Critical crossroads:  Narrative, rhetoric and ideology in critical essays of the Chicano renaissance.
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Mr. Japan goes to Tinseltown: A study of the film business between the United States and Japan or, How Japan learned to stop making films and love Hollywood
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Tanizaki and film: An introduction with three early writings in translation
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Labor contracts under general equilibrium:  Three essays on the comparative statics of employment
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Sioux versus Hollywood: The image of Sioux Indians in American films
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