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Jean Painlevé's cinematic wildlife, 1924-1946
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Fauré's Requiem re-examined: a study of the work's genesis, influences, and influence
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The rhetoric of representation: planning Los Angeles' civic space, 1909-2009
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David Ward-Steinman and his oratorio The Song of Moses: an appreciation and analysis
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The exquisite corpse: disarticulations of the artificial female
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Creating sacred spaces in the suburbs: Roman Catholic church architecture in postwar Southern California
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"Writing our own program": the USC experiment in modern architectural pedagogy, 1930 to 1960
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Stay in L.A.: hotels and the representation of urban public space in Los Angeles, 1880s-1950s
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The making of Kazimir Malevich's Black square
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the whole dissertation 7/10/11
Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine
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Touching the divine: mobility, devotion, and the display of religious objects in early modern Rome
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From “squatters” to citizens? Slum dwellers, developers, land sharing and power in Phnom Penh, Cambodia
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At least half the picture: sound and narration in the postwar / pre-Dolby American film
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Julia Morgan, architect
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Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London
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Concrete utopia: the development of roads and freeways in Los Angeles, 1910-1950
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Informal consent: the complexities of public participation in post-civil war Lebanon
From destrier to danseur: the role of the horse in early modern French noble identity
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Microsoft Word - 9-19-11 Winship Thesis FINAL.doc
A vernacular vanguard: surrealism and the making of American art history
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