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¡Que naco! Border cinema and Mexican migrant audiences
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Conditions of belonging: life, historical preservation and tourism development in the making of Pelourinho-Maciel, Salvador da Bahia, 1965-1985
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Useful dangers: the erotics of form, sadomasochism, Victorian narrative
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The virtual big sister: television and technology in girls' media
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Sounds of belonging: sonic diaspora in overseas Chinese radio stations
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Japan in transnational Hollywood: industry and identity, 1985-1995
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Dictatorial duress: a cinematic mapping of Madrid from dictatorship to democracy
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High-achieving yet underprepared: first generation youth and the challenge of college readiness
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Historical depictions of slavery and civil rights in 21st century American film: global circulation of post-racial ideology in the Age of Obama
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Empowering communities through historic rehabilitation: creating a maintenance plan for public housing developments in Los Angeles
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Mediating Hispanidad: screening the Hispanic-Atlantic imaginary
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“Where beasts' spirits wail”: the Great War and animal rights
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Voice of the age, voice of the ages: evolution of the Russian poet-prophet complex through three models
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Bad boys, reform school girls, and teenage werewolves: the juvenile delinquency film in postwar America
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Speculating on paper: print culture and the German inflation, 1918-1924
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The stars and the state: astronomy, astrology, and the politics of natural knowledge in early medieval Japan
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Art and epic theater in Cold War Germany
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Environmental politics in the 1990s: The tension between liberalism and environmental quality
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The Interventionist State Revisited: The Political Economy Of State-Business Relations In India
Commencement program, USC (137th: 2020 in 2021: Memorial Coliseum)
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Commencement program, USC (138th: 2021: Memorial Coliseum)
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The social construction of brownfields
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In a state of exception: political subjecthood in European film, 1990-2008
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The public's perceptions about the Bradley phenomenon
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