Marquee survivals: a multimodal historiography of cinema's recycled spaces 

The Museum of Modern Art’s Cineprobe program and Essential Cinema at Anthology Film Archives: curating underground film 

Seeing where there's nothing to see: French filmmakers and writers and everyday life in postwar social space 

An analytical study of David L. Wolper's approach to television documentaries 

Alain Robbe-Grillet: New novel to new cinema 

Sound-on-film: John Cage and avant-garde cinema 

Documentary still photography in theory and practice 

The Hollywood left: cinematic art and activism in the 1930s 

Genre and ideology in the popular German cinema, 1950-1972 

Neglected imagination: Achilles' heel of Korean cinema production 

At least half the picture: sound and narration in the postwar / pre-Dolby American film 

An investigation of the tools for creative cinema 

A study of Air Power: Historical documentary from stock footage 

Anglo agonistes: English masculinities in British and American film 

The popularizing and politicizing of queer media images in Taiwan: 1997 to the present 

The beginnings of gay cinema in Los Angeles: the industry and the audience 

Off-screen images: An origin of visual style in cinema. 

A working theory of film genre 

A critical survey of the documentary film 

The cinema industry and the nation: Ireland 

A survey of the motion picture industry in India as of 1947 

Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age 

History written with lightning: Film, television and experimental historiography 

History and implications of the use of electronic techniques in cinema 

Film fatal: Essays in spectatorial decline