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Echo and Narcissus: Sound and image.
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Animated subjects: globalization, media, and East Asian cultural imaginaries
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Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries
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Comic venus: women and comedy in American silent film
Ardum: a project about the player-designer relationship
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Of worlds and avatars: a playercentric approach to videogames
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Domestic topographies: gender and the house in the nineteenth-century British novel
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Mapping feminism: representing women's liberation in 1970s popular media
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Declarations of independence: film and the American mythology
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Transnational film remakes: time, space, identity
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Technologies of arousal: masturbation, aesthetic education, and the post-Kantian auto-
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Ugly dykes: pejorative identities and the anti-aesthetics of lesbianism
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Microsoft Word - Lettman_dissertation[Final Version for Submission4].doc
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In a state of exception: political subjecthood in European film, 1990-2008
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Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II
Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age
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At least half the picture: sound and narration in the postwar / pre-Dolby American film
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The veiled screen: uncanny crystallizations in the moving image
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Cinema 4.5? Legacies of third cinema at the age of informational capitalism
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When a story calls: the narrative potential of mobile media
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The history of documentary in Africa -- The Colonial era
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Revenge of the fanboy: convergence culture and the politics of incorporation
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