Transnational film remakes: time, space, identity 

Meetings with the mother: The maternal and spectatorial pleasure in film 

Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917 

The Hollywood left: cinematic art and activism in the 1930s 

Declarations of independence: film and the American mythology 

ZoeTropes: Cinema, literature, and the modernity of the living picture 

The contemplative landscape: Allegories of space in cinema 

The veiled screen: uncanny crystallizations in the moving image 

The beginnings of gay cinema in Los Angeles: The industry and the audience. 

Speaking for Taiwanese history, culture and past: Hou Hsaio-Hsien's "Taiwan Trilogy" 

Medusan optics: film, feminism, and the forbidden image 

The influence of American popular formulas on the samurai films of Akira Kurosawa 

Film fatal: Essays in spectatorial decline 

At least half the picture: sound and narration in the postwar / pre-Dolby American film 

An enticement to knowledge: Documentary spectatorship and a theory of performatives 

Dances of death: visual and verbal transformations of the body in Russian modernism 

Death of a clown 

Narrative structure and the specular function in Nicholas Roeg's 'Walkabout' and 'Bad Timing/A Sensual Obsession' 

Constructing Japaneseness: war, race, and American cinema, 1924-1992 

Allegories of dispersal: Nation and participation in Indian cinema, 1947-1977 

Ordinary motorcycle thrills: The circulation of motorcycle meanings in American film and popular culture 

From fiction to film: A critical analysis of Graham Greene's "The Fallen Idol", "The Third Man", and "Our Man in Havana", directed by Carol Reed 

From novel to script: A critical analysis of the techniques involved in the transliteration from novel to script with a case study of "Executive Suite" 

Regional film: A resistance to cultural dominance 

The new generation on screen: youth cinema and youth culture in South Korea since the 1990s