Technomobility in the margins: mobile phones and young rural women in Beijing
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Specifically sound: critical pedagogy and the sound art practice of Ultra-red
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Allen Ruppersberg: Art on the edge of visibility, 1968–1972
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History written with lightning: Film, television and experimental historiography
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Preston Sturges and noir comedy: Re-historicizing an "auteur"
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Mapping feminism: representing women's liberation in 1970s popular media
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MOCA and the city: Museums, public art, and Los Angeles
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Revenge of the fanboy: convergence culture and the politics of incorporation
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Dictatorial duress: a cinematic mapping of Madrid from dictatorship to democracy
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“Every joke is a tiny revolution”: networked civic comedy as a tool of social change
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Exploring best practices for building a university's public art collection
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The practice of everyday politics: lifestyle and identity as radical activism
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Emergent media technologies and the production of new urban spaces
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Freude und Glanz: Bdistraction and the public sphere in Siegfried Kracauer's Jacques Offenbach und das Paris seiner Zeit
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The Auteurist Television Drama Of Dennis Potter
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Making do with madness: Applications of aesthetic eccentrism in Tokugawa and Meiji Japan
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The nature of a sista: Representations of African-American women in contemporary culture.
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Radical culture in the digital age:  A study of critical new media practice
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The changing nature of museology in the digital age: Case studies of situated technology praxis in U.S. art museums
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Modes of cultural resistance post-Arab Spring: humor, music and the making of a new digital identity
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Of worlds and avatars: a playercentric approach to videogames
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Not a bedspread, but a counterpane: Under the covers with gay men and aristocrats in twentieth century British literature.
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Suspicious narrative: The assassination of JFK and American way of not-knowing
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The rhetoric of representation: planning Los Angeles' civic space, 1909-2009
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Alison Knowles' Make a salad and Identical lunch: communal and sensory performance through open scores
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