The development of Russian piano music as seen in the literature of Mussorgsky, Rachmaninov, Scriabin and Prokofiev 

Aspects of form in the solo keyboard works of Samuel Barber 

The factor of improvisation in the piano concertos of Mozart, with specific reference to the cadenzas 

A study of divertimento music, its history, form and usefulness in the instrumental music program 

Seven symphonies of Jean Sibelius: A formal and thematic analysis 

Salve Regina stylistic development of musical settings up to 1600 

The 'Geistliches Gesangbuechlein' Of Johann Walter And Its Historical Environment 

Gabriel Faure and the development of the nineteenth-century piano nocturne 

Johann Krieger and sacred vocal music in Zittau, 1682--1735 

A study and performance of 'mass and cantata' by Igor Stravinsky 

A general music program designed for Brazilian secondary schools 

The Chorale Concertato 'Per Omnes Versus': Its Evolution Within The Lutheran Liturgy 

Compositional practices of Ralph Vaughan Williams as revealed in selected choral works 

An inquiry into concertos for woodwind instruments from their beginnings to 1760 

Ernst Toch, "Grundgestalt," and developing variation 

Jeanne d'Arc au Bucher: A three way collaboration 

The early Tudor part-song from Newarke to Cornyshe 

A job analysis in instrumental music education: Its relation to the undergraduate curriculum of the University of Southern California 

The choral music of Kirke Mechem: a study and performance of representative works 

"Vesperae solennes de Confessore", K.339, W. A. Mozart: A study in performance and analysis 

A study of Felix Mendelssohn's "St. Paul" 

Certain characteristics of American music as shown in representative works of three composers: Aaron Copland, Roy Harris, George McKay 

Trends in the development of English music in the seventeenth century 

An organ recital presented at All Saints' Episcopal Church, Pasadena, California 

Charles Ives - master songwriter: The methods behind his madness