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Making and unmaking the museum: Tom Marioni and San Francisco conceptual art, 1968-1979
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An aesthetic of comprehension: the distribution of American land art and conceptual art in Germany, 1968-1975
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Komar and Melamid: works from the transition period in the context of Moscow Conceptualism
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Embodiment of text after conceptualism: Language and video in Fast trip, long drop (1993) and Cornered (1988)
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Conceptual street art as a means of democratic participation
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Getting a new blanket: China’s conceptualization of “security” in the post-Deng Xiaoping era
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Interpreting participatory art
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Allen Ruppersberg: Art on the edge of visibility, 1968–1972
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Art and time: temporary public art and contentious space
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Art of the possible: a reappraisal of the Eugenia Butler Gallery
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Alternative art incubators: cultivating collaboration and innovation in Los Angeles public art practices
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(M)other work: feminist maternal performance art
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Art is a reflection of life
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Foundations of art: Communication, the visual, persuasion
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Master Of Fine Arts Thesis
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Coastal public art: an innovative way to disseminate ocean science
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Four women, four public art projects, four decades: exploring socially conscious public art and social change
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Public art as liberatory pedagogy through performance methodologies
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Beyond cultural:  Global approach in visual art
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Victory Gardens 2007+: making art as if the environment matters
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Arts in education and organizational culture
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Art on billboard space: Subversive intervention in the city of Los Angeles
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Sun Valley Middle School: a case study analysis of a California state scholastic audit school and the development of a clear conceptual framework to turning around a failing school, doubling stud...
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Re-creating the city; place-making through public art
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Community engaged art: no longer a form of resistance?
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