Sound design and science fiction 

Animated subjects: globalization, media, and East Asian cultural imaginaries 

Film theory and the rise of fascism in Germany, 1933 

Stalinist musicals and the socialist realist heroine 

Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917 

The portrayal of the Jew in American cinema, 1900-1953 

Technical and theoretical analysis of cinematic sound 

Wolfgang Bauer, discussion and seminar, 1989-03-15, part 1 of 2 

Televising Toronto from Hogtown to megacity 

Becoming Dalit cinema 

A study of pictorial composition in the cinema with emphasis on color composition 

Lesbianscape of Taiwan: media history of Taiwan's lesbians 

Under the sign of darkness: The Africa film in the 80s 

Monsters in the closet: Homosexuality and the horror film 

Allegories of dispersal: Nation and participation in Indian cinema, 1947-1977 

Shake your assets: dance and the performance of Latina sexuality in Hollywood film 

Contemporary European cinema in a transnational perspective: aftereffects of 1989 

Wolfgang Bauer, discussion and seminar, 1989-03-15, part 2 of 2 

A historical and analytical study of the advent and development of cinema and motion picture production in Iran (1900 -1965) 

Speaking for Taiwanese history, culture and past: Hou Hsaio-Hsien's "Taiwan Trilogy" 

A working theory of film genre 

Racial mythologies: African American female images and representation from minstrelsy to the studio era 

Revolutionary cinema : Soviet art-propaganda, 1919-1938 

Between local and global: The Hong Kong Film Syndrome in South Korea 

Genre and ideology in the popular German cinema, 1950-1972