Becoming Dalit cinema 

Co-producing the Asia Pacific: travels in technology, space, time and gender 

Cinema bulimia: Peter Greenaway's corpus of excess 

Genre and ideology in the popular German cinema, 1950-1972 

Nationalisms in the era of global quality TV: how SVODs main/stream the local 

Off-screen images: An origin of visual style in cinema. 

The virtual big sister: television and technology in girls' media 

The world, abjected: contemporary comedy across media 

Declarations of independence: film and the American mythology 

Somatic montage: supra-dimensional composition in cinema and the arts 

Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries 

Social media best practices for Hollywood films and their applications in China 

Mass culture in the age of the public /private split: In South Korean popular cinema since 1992 

The teacher and the teaching screens: Transformations of instructional practice through film, television, and new media 

Lead man holler: Harry Belafonte and the culture industry 

etd-CardenasMi-3510_008 

Regional film: A resistance to cultural dominance 

Seymour Deeply: exploring stereoscopic 3D as a storytelling tool in interactive media 

Mediating Hispanidad: screening the Hispanic-Atlantic imaginary 

The "I" behind the image: Mobilizing subjectivity through film, video, and new media 

The body and its "thumbnails": the work of the image in mobile-imaging 

Film credit 

Unraveling countrysides: provincial modernities in contemporary popular Indian cinema 

The illusion of communication 

A study of pictorial composition in the cinema with emphasis on color composition