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The blinding instinct
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Embodiments of passing: Vito Acconci's poetics of frequency and Ta(g) A(c)t
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Back to Ostrovsky!: reclaiming Russia's national playwright on the early Soviet stage
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Two plays and a film:  The Meyerhold /Faiko collaboration
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Classic films and our collective memory: the current status of preservation and availability
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György Orbán: Transylvanian roots of his Hungarian style
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Typophoto and the reinvention of photography in Weimar Germany
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Making and unmaking the museum: Tom Marioni and San Francisco conceptual art, 1968-1979
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Tokyo visions: contemporary Japanese photography and the search for a subjective documentary
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Art into everyday life: department stores as purveyors of culture in modern Japan
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Exit
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EAffuso-Dissertation-Final
Inner and outer nature: The video art of Mathilde Rosier
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A Creative Synthesis Of Dance And Video-Electronics:  An Exploratory Investigation
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Quasi-independent films: an adaptation of Chinese independent films
How to suppress women’s filmmaking
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Killing culture two: toward an anatomy of cultural transformation in early Soviet Russia, 1920s-1930s
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Neo-Baroque tendencies in contemporary Hispanic poetry
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Performing the primitive:  Mikhail Larionov and the paradoxes of Russian futurism
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Art and epic theater in Cold War Germany
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Mikhail Matyushin:  Artistic simultaneity in the natural world
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Georges Delerue in Hollywood: the film composer's legacy, as seen through his final chapter
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Poetry as a political tool: text and image in the narrative of Theresa Hak Kyung Cha
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Ontologies
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Surveillance surveyed: the effects of remote sensing technologies on perception through the films of Harun Farocki
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