The revisionist West: placing the postwar American avant-garde 

Sound-on-film: John Cage and avant-garde cinema 

A cinema of anxiety: American experimental film in the realm of art (1965–75) 

The Museum of Modern Art’s Cineprobe program and Essential Cinema at Anthology Film Archives: curating underground film 

Made in France: the World Wars and the 'other' avant-garde tradition 

Riddles of representation in fantastic media 

Primal perception: the artist as animal in Nineteenth-Century France 

Medusan optics: film, feminism, and the forbidden image 

A new American cinema 

Cinema 4.5? Legacies of third cinema at the age of informational capitalism 

One more time: instances, applications, and implications of the replay 

Cedric Gibbons: Pioneer in art direction for cinema 

Chinese language cinemas in transnational flux 

Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine 

A taste for trash: the persistence of exploitation in American cinema, 1960-1975 

Looking for the beast: Realism as avant-garde 

Music, image, gesture: The graphical score and the visual representation of music in cinema and digital media 

Liminal visibility: exploring ambiguities of time and space in transnational Korean hallyu cinema 

Announcement, lecture and film, Gottfried Reinhardt, USC, 1984-03-11 

At least half the picture: sound and narration in the postwar / pre-Dolby American film 

Molti -story cinema: The episode film in the Italian cinema 

The contemplative landscape: Allegories of space in cinema 

Cinema bulimia: Peter Greenaway's corpus of excess 

The new Korean cinema: Framing the shifting boundaries of history, class, and gender 

La galvanisation du corps: le cinéma français et la biopolitique