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Preston Sturges and noir comedy: Re-historicizing an "auteur"
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Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands
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Francois [sic] Truffaut and the Politique des Auteurs
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A modernist auteur, Edward Yang: The first decade of his film career (1982-1991)
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Loaisel de Treogate: "Dolbreuse", recherches sur les rapports entre auteur et oeuvre
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Certain tendencies in Canadian cinema: temporary insanity and the national tax-shelter masquerade
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Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine
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Révoltes sans témoin: la tracée du marronnage dans la littérature haïtienne
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Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave
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La Vallière, letter, 1756 Mar. 1, to Voltaire
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Women showrunners: authorship, identity and representation in US television
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The transcendence of Taiwanese identity: a study of Hou Hsiao-Hsien's films
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Tacit anticipation among film students: an ethnography of making movies in film school
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Receiving feminisms: media cultures and lesbian potentiality in the 1970s
How to suppress women’s filmmaking
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L'amour de la terre chez Bernard Clavel
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George Roy Hill: Study of an American director
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Man on a tightrope: The dark vision of Bob Fosse
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L'esthetique des "Angoysses douloureuses qui procedent d'amours" d'Helisenne de Crenne
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The legless men and their craft: Film critics on film criticism
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