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The art of Ampersand: applying the creative process to podcasting and audio journalism
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An art of the neutral
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Chicago imagists and outsider art
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Alternative art incubators: cultivating collaboration and innovation in Los Angeles public art practices
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The "assemblages" of Arthur Dove: 1924-1930
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A new eros: sexuality in women's art before the feminist art movement
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Los Angeles Modernism and the assemblage tradition, 1948-1962
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Vajrapani imagery in the art of Gandhara.
Four women, four public art projects, four decades: exploring socially conscious public art and social change
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Who are worth our love
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Community engaged art: no longer a form of resistance?
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A cinema of anxiety: American experimental film in the realm of art (1965–75)
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Somatic montage: supra-dimensional composition in cinema and the arts
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The changing face of arts journalism: an embedding experiment with the Los Angeles County Museum of Art
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Allen Ruppersberg: Art on the edge of visibility, 1968–1972
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Morton Schamberg and the machine aesthetic in early twentieth-century American art
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A comparative study of the relative works of John Dewey and Viktor Lowenfeld in the field of art and art education
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Walker Art Center, Palais de Tokyo, and DocumentaA case study of creating social spaces and participatory experiences for new audiences
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Art of the possible: a reappraisal of the Eugenia Butler Gallery
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Artistic intervention in the Los Angeles urban geography: the art practices of Charles Long, Harry Dodge and Stanya Kahn
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Reinventing ephemeral forms: an investigation of the reinvention of Allan Kaprow's work in Allan Kaprow—Art as life (2008)
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Cataloguing nature in art:  Jan Brueghel the Elder's paradise landscapes
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Walking out of ground zero: art and the aftereffects of the atomic bombs in postwar Japan
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A study of the production of the art film "Venice": Theme and variations.
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Performance into pedagogy: Anna Halprin, Allan Kaprow, and Alison Knowles' score-based events in experimental arts education
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